The Sunday Telegraph - 11.08.2019

(vip2019) #1

28 ***^ Sunday 11 August 2019 The Sunday Telegraph


Arts


Star-crossed lovers:
Paris Fitzpatrick
and Cordelia
Braithwaite in the
title roles of
Matthew Bourne’s
Romeo and Juliet

JOHAN PERSSON

F

or a few agonising
moments during the
press night for Matthew
Bourne’s new dance-
theatre version of Romeo
and Juliet it seemed that
there might be no show to review.
Twenty-five minutes in, the house
lights came on, and there was the
dread sight of the great man himself
coming on stage to make an
announcement. Reece Causton,
playing Mercutio, had injured
himself (a twisted ankle, I
discovered), and we would have to
wait for the stand-in to get ready.
Barely a quarter of an hour later,
the show restarted with a repeat of
the most recent scene – with the
wide-eyed Romeo now having his
civvies removed by the mischievous
trio of Mercutio, his boyfriend
Balthasar, and Benvolio. And, while
you weep for poor Causton, it is a
testament to this piece’s almost
overwhelming power (not to mention
the muscular Mercutio number two,
Ben Brown) that within seconds, it
was as if nothing had happened.
Friday evening’s ultimate success
is also a particular pleasure to report,
because this show feels like such a
big deal. Bourne and his New
Adventures troupe have previously
injected vampiricism into Sleeping
Beauty, re-cracked The Nutcracker,
unleashed a flock of male waterfowl
in Swan Lake and dropped Cinderella
into Blitz-torn London. Prokofiev’s
Romeo and Juliet is the only one of
the five great full-evening Russian
ballet scores that he has previously
shied away from, and it is arguably
the most magnificent of the lot.
The action plays out to Terry
Davies’s smartly pared-down
orchestration of the score, and is set
in the near future, in the “Verona
Institute”. Somewhere between a
psychiatric hospital and a borstal,
this unforgiving place – in Lez
Brotherston’s pitch-perfect set – is
lined with glazed white tiles and
features a raised, prison-like platform
with doors leading off to boys’ and

The Bourne supremacy


Mark Monahan finds the
choreographer’s stirring

new Romeo and Juliet at
Sadler’s Well to be one of
his greatest achievements

girls’ dorms. It is here that Romeo’s
glossy, politico-type parents (the
show’s chief comic relief ) dump their
problem child, only for him soon to
meet another inmate – a certain Juliet.
In one of umpteen digressions from
a traditional Romeo and Juliet, the
action launches (like Prokofiev’s
second suite of music from his score,
as it happens) with the thunderous
musical one-two of the Duke’s Order
and the famous Montagues and
Capulets march. Bourne’s ensemble
choreography here sets up “Verona” as
an emotional pressure-cooker.
Youthfulness is crucial to the show’s
power. Few if any of the performers
here are even out of their 20s, and, for
each town that the production is
visiting, six pre-rehearsed performers,
aged 16-19, are also joining the cast.
The result is an astonishing, explosive,
hormonal energy that blazes from the
stage and seldom, if ever, lets up.
That said, Bourne’s inventiveness
must also take credit: his instincts for
how best to twist the story, use the
stage and redeploy the music don’t
once let him down. Probably the most
striking example is the “social night”
scene. To Prokofiev’s Masks theme, the
inmates, now in dowdy party outfits,

go through the rigidly marionettish
motions of a primitive foxtrot.
But then, the orderlies leave. Paule
Constable’s lighting transforms the
space into something far moodier and
more transporting. And, to the
returning Montagues and Capulets
music, with the cats now away, the
mice essentially try to eat each others’
faces (and more) off, while Romeo and
Juliet stand, enraptured, in the centre.
As the lovers, Paris Fitzpatrick hit
his stride as the evening went on: the
union he formed with Cordelia
Braithwaite’s flawlessly judged Juliet
was intimate and intense, their deaths
quite devastating. Dan Wright proved
a spectacular Tybalt, Daisy May Kemp
was super as both the sympathetic Rev
Bernadette Laurence and Romeo’s
callous ma, and Jackson Fisch
delivered the most impressive dancing
in his deranged Act III solo. A mention,
too, for Hannah Mason as one of three
characters in love with Juliet.
All in all, this is electrifying. A
no-punches-pulled reinvention of a
story that feels scintillatingly new. It is
up there with the smartest, sexiest,
most stirring shows that Matthew
Bourne has ever created – and is there
any higher praise than that?

Until Aug 31.
Tickets: 020
7863 8000;
sadlerswells.com

★★★★★


POP
BLUESFEST
by Neil McCormick

Smooth American soul singer-
songwriter John Legend is the
first major arena headliner
confirmed for this year’s
BluesFest, his only UK show this
year. BluesFest takes place
across five nights in October and
is always a treat for fans of
rhythm and blues-oriented
music. Maverick veteran
songstress Rickie Lee Jones and
neo soul star Raphael Saadiq
will also be performing, with

more stars to be announced.
The O2, London (bluesfest.co.
uk), October 25-27

OPERA
RIGOLETTO
by Rupert Christiansen

One of Verdi’s darkest and most
heartfelt dramas, based on
Victor Hugo’s Le Roi s’amuse,
receives its first Glyndebourne
production in a new staging
directed by Christiane Lutz and
conducted by Thomas Blunt.
Georgian baritone Nikoloz
Lagvilava sings the title role of

the hunchback jester with South
African soprano Vuvu Mpofu as
his innocent daughter Gilda.
Glyndebourne near Lewes
(01273 815000), Oct 11-Nov 2; and
touring to Canterbury, Milton
Keynes, Liverpool, Woking and
Norwich

THEATRE
MARY POPPINS
by Dominic Cavendish

It’s out with Aladdin and in with
Mary Poppins. The top-flight
Sherman Brothers songs from
the much-loved 1964 film were
supplemented in 2004 by Stiles
and Drewe, with the script by
Julian Fellowes (prior to his
major Downton Abbey success).
The result has been seen in the
West End and on Broadway, on
tour too, and now comes back
into town, the wind in its sails
thanks to the popular recent
film sequel starring Emily Blunt.
Zizi Strallen plays the nanny
with the magic touch; Charlie
Stemp, who can hoof and goof
about like no one else, has been
signed up as Bert. Richard Eyre
directs.
Prince Edward Theatre,
London W1 (0844 482 5151),
from Oct 23

CLASSICAL
LAMMERMUIR
FESTIVAL
by Ivan Hewett

It’s not just in the deepest shires
of England that classical festivals
in beautiful rural spaces are to
be found. Scotland boasts two,
including the award-winning
Lammermuir Festival, which
takes place near the picturesque
Lothian coastline. This year’s
programme includes all three
Schubert song-cycles sung by
Roderick Williams and an
Italian double-bill from Scottish
Opera.
Various venues, (0131 473 2000),
Sept 13-22

EXHIBITIONS
WILLIAM BLAKE
by Eleanor Halls

The gallery’s first William Blake
exhibition in a generation will
present the work of the painter,
printmaker and poet within an
immersive recreation of the
room in which he showed his
art in 1809. Featuring 300
original works, this will be the
artist’s largest show in 20 years.
Tate Britain, London SW1
(tate.org.uk), Sept 11-Feb 2 2020

Book now The hottest tickets


GETTY

MUST
BOOK

Sudoku with a twist


Pub Quiz


COMPILED BY GAVIN FULLER

1 Notwithstanding their
names, Broadway Tower
in the Cotswolds (pictured,
right ), Kinnoull Hill Tower
in Perth and Paxton’s Tower
in Carmarthenshire are all
considered to be examples
of what type of building?

2 With an area of 87,806
square miles, which is
the smallest of the states
on mainland Australia?

3 Dr Elizabeth Corday
in ER and River Song in
Doctor Who are among
the notable roles played
by which actress?

4 Natasha Kaplinsky won
the first series of Strictly
Come Dancing in 2003;
which actress was the
show’s second winner
in 2004?

5 What do Mary Gillick,
Arnold Machin, Raphael
Maklouf, Ian Rank-Broadley
and Jody Clark have in
common regarding
British coinage?

6 Which 2017 film, starring
Idris Elba (pictured, below)
as the last gunslinger
Roland Deschain, is based
on a series of novels by
Stephen King?

7 Frank Lampard was
annouced
as the new
manager
of which
football
club last
month?

8 L’Étranger, published in
1942, was the debut novel of
which writer, the first man
born in Africa to win the
Nobel Prize in Literature?

9 The town of Bournemouth
lies between two harbours;
to the west is Poole Harbour


  • which harbour lies is to
    its east?


10 Which Berkshire town
is the train in J. M. W.
Turner’s Rain, Steam and
Speed passing through?

11 In Egyptian mythology,
who was the mother of
the god Horus?

12 Which composer
provided the music for
Laurence Olivier’s trilogy of
Shakespeare films Henry V,
Hamlet and Richard III?

13 Which American singer’s
only song in the UK charts
was Cry Me a River which
reached number 22 in 1957
after featuring in the film
The Girl Can’t Help It?

14 Which earldom was
held by Henry VII previous

to him becoming king of
England?

15 In the grounds of which
building is the UK’s oldest-
surviving hedge maze to
be found?

16 The band’s drummer and
co-lead vocalist, who has
been the only constant
member of The Eagles
(pictured, above) since
their formation in 1971?

17 Which two of the
five Roman Catholic
archdioceses in England
are located in London?

More puzzles, games and
brainteasers can be found
inside the Sunday section

Each designed the images of Queen Elizabeth II which have appeared 5 Jill Halfpenny 4 Alex Kingston 3 Victoria 2 Folly ANSWERS 1

Isis 11 Maidenhead 10 Christchurch Harbour 9 Albert Camus 8 Chelsea 7 The Dark Tower 6 on coins since 1953

Southwark and Westminster. 17 Don Henley 16 Hampton Court Palace 15 Richmond 14 Julie London 13 Sir William Walton 12

Bridges over the Thames.Hidden theme:

is away


NEWSPAPER CARTOONIST OF THE YEAR

7 Frank Lampard was
annouced
as the new
manager
of which
football
club last
month?

9 Th
lies b
tothe


  • whi
    itsea


10 Wh
is the
Turne
Speed p

11 InEg
whowa
the god

12 Whic
provide
Laurenc
Shakesp
Hamlett

13 Whic
only son
was Cry
reached
after fea
The Girl

14 Whic
held by

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