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originalStar Trekfilms andThe Dish. “It's a way of connecting
science to people who wouldn't necessarily choose to go to a
science lecture,” Rachael says. “If you advertise a talk about time
travel, then there's a certain segment of the population who's going
to go to that. But if you advertise a talk saying, ‘Is the TARDIS real?’
I think you reach people who wouldn't necessarily go to the
drier-sounding one.”

For the record,The Martianis one of her favourite scientifically
accurate flicks – apart from one big gaffe right at the beginning.
And no: explosions in space wouldn’t look like Hollywood ones.
Rachael is willing to admit there might be a bit of fire (“because
there's presumably oxygen inside the spaceship”), but no sound.
There’s no sound in space. Which might make all the ‘pew pew pew’
noises a bit redundant, too.

Still, sci-fi was part of Rachael’s origin story, and it continues to
be a big part of her life. She’s a regular at the annual Las Vegas
Star Trekconvention, rocking handmade cosplay outfits that help
her connect with fellow fans. “As an introvert, if you're dressed
in costume, it makes people come up and talk to you, which is
much easier for me,” Rachael says. She also stitches her own
space-themed frocks; a little break away from hard science that
lets her use her hands and mind for something more tactile
and earthbound.

For the most part, space is cold and silent and really amazingly big.
And gazing into that vastness for a living changes your perspective.
“There are probably a trillion galaxies in the universe,” Rachael says.
“Each of them has hundreds of billions of stars. Every single star, we
think now, has planets. That tells us there's probably hundreds of
trillions of planets in the universe. But the universe is so incredibly

vast, and the hope of us getting to these other systems is very slim.
In all of that vast expanse of space, there's only one planet we were
specifically designed to live on. But the Earth has no real incentive
to keep us alive. It's up to us, really, to look after the Earth.”

One way we’ve messed up our planet is dividing humans by ‘he’ and
‘she’ – and dealing with gender bias is a tiring business, as Rachael
knows. From undergrad lecturers assuming she was getting boys to
do her work to constant commentary about her wardrobe, Rachael
describes a slowburn dismissal of her academic worth, based on
sex. “I was at a conference one time,” she says, “and someone took
me aside and said, ‘If you want to be taken seriously, you really need
to stop wearing dresses.’ At that point, I switched to exclusively
wearing dresses, because that's just the kind of person I am.”

Things came to a head when a rival academic published a journal
paper claiming Rachael was faking data (a claim since refuted
by the American Astronomical Society). With findings in her
favour, but no real repercussions for the men who pushed her
there, Rachael recently decided to move on from academia. She’s
currently writing a book, and has nabbed a position at Britain’s
National Film and Television School, studying how to make science
docos – an extension, you might say, of all those pub talks and
Star Trekmusings. These past years have been rough, but Rachael
has decided, finally, to put herself first.

“I was getting so much pushback from people calling me a quitter,
and saying that things are never going to change if all the women
leave, which is true. But also, being the one who stays and deals
with this crap is really hard. I don't feel like I quit. I feel like I had too
much self-respect to put up with that shit, and, yeah, I'm going to do
something else.”

Photo


Leanne Dixon


creative people
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