Going Places – August 2019

(Brent) #1

goingplacesmagazine.com


|
80
| August 2019

WANT HELP WITH WHAT TO


WATCH THIS MONTH?


FILMMAKER AND DIRECTOR


KAM RASLAN MAKES THE CASE


FOR THESE MOVIES.


FILM REVIEWS


Tolkien, Shazam! and Avengers: Endgame are
playing onboard. Check your in-flight entertainment
system for channel information.

AVENGERS: ENDGAME


Since 2008’s Iron Man, there have been 22


movies in the Marvel Cinematic Universe


(MCU) that have made a combined gross of


over USD20 billion (RM83 billion) at the global


box office. To put that figure in perspective,


it’s not even nearly the GDP of Wakanda. But


that’s not including toys and merchandise


(from which the Star Wars franchise had


already made USD30 billion [RM124 billion] by


2012), and product endorsements. Avengers:


Endgame looks set to be the most successful


Marvel movie yet – at over USD2 billion (RM8


billion) – possibly beating Avatar to become


the most successful movie of all time, and it


brings to an end MCU’s third phase (sort of,


there’s still a Spider-Man movie to come).


With Avengers: Endgame, we tie up storylines


that have been bubbling away since Captain


America: Civil War (2016) and beyond, we


see characters die (oops, spoiler alert) and


we witness an epic rematch with the most


powerful evil villain in cinema history: Thanos.


In fact, so much is brought to a head in this


movie that I wouldn’t have been surprised if


Luke Skywalker turned up.


The MCU is a dazzling achievement. Never


before has it been attempted to make movies


that satisfy individually and also play their


part in telling a much wider multi-movie


story arc. Time will tell if they can successfully


continue these cycles or if Avengers: Endgame


will become remembered as the highpoint. It’s


an amazing end, and it might be an amazing


new beginning.


SHAZAM!


The greatest superhero war is the one


being waged between Marvel and DC. DC


movies have made a mere USD3 billion


(RM12.4 billion) worldwide, but it is finally


finding its mojo.


Unlike the Marvel Cinematic Universe, the DC


Extended Universe has made some missteps


over the years. The mood of 2016’s Batman v


Superman: Dawn of Justice was far too dark,


completely forgetting the original appeal that


movies inspired by comic books should be


fun. Instead, we were suddenly shown that


the wholesome Superman is so powerful that


he can destroy us all, and that Batman wants


to kill him. I mean, what?! DC movies were


becoming humourless, violent, way too male


and way too dark.


Wonder Woman has successfully introduced


a female dimension (it even feels like Marvel


has been playing catch-up with Captain


Marvel) but it’s really with Aquaman and now


with Shazam! that DC has decided that comic


book movies can be fun, even silly.


Shazam! is about troubled foster-child Billy


Batson trying to find and always rejecting


a home and a family. Oh, and he becomes


a superhero with an adult’s body along the


way. Shazam! succeeds because it doesn’t


labour to overly explain the bizarre new


dimension in which Batson finds himself; it


just happens because of sheer desperation


and now he has to find out what it means for


him. Eventually he has to save the world, but


first, he’s just a kid. So, what does he do with


his newfound powers? With his hands that


shoot lightning, he goes busking for pocket


money. Shazam! is fun.


TOLKIEN


Have you ever wondered where authors


find their inspiration? How did the Oxford


professor J.R.R. Tolkien create the legends


of Middle Earth with its Hobbits, elves, men,


Orcs, walking trees, dragons, Sauron, Mount


Doom and so much more? How did an


orphaned English boy with a German name


grow up to create the entire fantasy genre


with his epic book The Lord of the Rings that


has inspired generations of nerdy teenagers,


rock bands like Led Zeppelin, and Peter


Jackson who made the hugely successful


movie adaptations? If you’ve ever wondered


where authors find their inspiration, then


Tolkien holds the answer. It is through the


experiences of tragedy, friendship, a quest for


knowledge, love and war. You know, regular


everyday stuff.


Tolkien is a rare film these days. It is


thoughtful, intelligent, understatedly moving


and visually beautiful. And, incredibly, it’s


about an author who was born in 1892.


Orphaned at an early age, Tolkien became


suddenly poor and was torn away from the


English countryside idyll that remained an


inspiration throughout his life. But thanks


to his beautiful mind, he found his way to a


good school where he forged a fellowship


with three friends who were determined to


change the world. You could call it their


quest. Then the First World War intervenes,


and it is in the blood-filled trenches that


Tolkien meets the Orc-like enemy armed with


flame-throwers like dragons. But throughout


his life on the knife-edge of poverty, through


school, at Oxford and at war, he never could


forget his quietly burning love for fellow


foster-child Edith.


Obviously, Tolkien is a movie, so it contracts,


compresses and fictionalises, but the essence


is believable and moving, and Nicholas Hoult


is excellent as the young author. I really


enjoyed Tolkien. I hope you do too.


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