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HERE ARE ACTORS who play certain types of characters with such
frequency that it can seem as though they must be portraying a ver-
sion of themselves. Jack Nicholson as the charming rascal; Owen
Wilson as the lovable blond surfer goof. Melissa McCarthy as the
loud, brash, foulmouthed woman who doesn’t give a whit what any-
one thinks of her. She’s been Detective Shannon Mullins, the prickly,
street-savvy Boston cop in The Heat, an active volcano of insults who follows no
rules but her own. And Tammy, the downtrodden antihero in the road-trip comedy
of the same name, who holds up a fast-food joint with a greasy paper bag on her
head. And Susan Cooper, the unsung CIA agent in the Bond spoof Spy, who goes
undercover to avenge a colleague, unleashing not only her pent-up brilliance but a
lifetime of repressed profanities.
McCarthy’s characters are extreme while never feeling outright implausible;
they often enact the satisfying fantasy of a woman who gives full vent to her id.
So it is surprising and even a little disarming to meet McCarthy in person and find
someone very different from the characters she plays. You don’t seriously expect to
encounter one of her trash-talking, hard-drinking heroines. But perhaps because
McCa r t hy is such a n ex h i la rat i n gly gi f ted comed ia n—who ca n forget her a s t he no-
nonsense Megan in Bridesmaids, bragging about making a “man salad” and coming
on to an air marshal midflight?—you half-expect her to exhibit some of that anar-
chic wildness in person. Instead, the actual McCarthy, with her striking dimples
and seawater-green eyes, is softer and gentler than her movie counterparts would
suggest. “I’m certainly much more audacious as other people,” McCarthy says of
her on-screen personas, as she settles into the backseat of a black SUV en route to
a bar near her Los Angeles home. “You get to scream at people or say insane things
and not think twice about it. Whereas I would never do that in my real life.”
In real life, McCarthy is polite, poised and neatly self-contained. As she talks,
it’s clear that she’s not the sort of relentlessly “on” comedian who alters the eco-
system of any room she enters. “She’s shockingly normal and down-to-earth,”
says Elisabeth Moss, who, along with Tiffany Haddish, stars with McCarthy in The
Kitchen, a drama about a trio of women who take over the Irish mob in ’70s-era
Hell’s Kitchen, out in theaters in August. “I feel like that’s said of so many famous
people. But Melissa actually is, like, in her core.”
McCarthy’s in-person humor is subtle, arising from the odd intonation, the
unexpected word choice, the kooky voices she does or the charmingly quirky anec-
dotes she tells. She’s drily funny, and we spend much of our time together laughing.
Yet in her flowing white pants, black-and-brown print silk blouse and tan leather
Birkenstocks, she looks less like a beloved Hollywood comedian and more like a
chic suburban mom dressed for the morning carpool line or a creative executive on
her way to a breakfast meeting.
An executive is exactly what she is. At 48, McCarthy has made more than 25 mov-
ies (five of which she’s produced) and starred in two hit television shows, Gilmore
Girls and Mike & Molly. She has been nominated for eight Emmys (she won in 2011, for
Mike & Molly, and in 2017, for hosting Saturday Night Live); two Golden Globes (for
Spy and Can You Ever Forgive Me?); and two Oscars, including a best actress nomi-
nation for her dramatic role in last year’s Can You Ever Forgive Me? (t he ot her wa s
BY AMANDA FORTINI
PHOTOGRAPHY BY DAN MARTENSEN
STYLING BY ELISSA SANTISI
Melissa McCarthy has played
some of Hollywood’s most
memorable characters. From
comedy to drama, the award-
winning actor and creative
executive can handle anything.
SHE’S
FUNNY
THAT
WAY
CHARACTER STUDY
“She can do drama and
she can do physical
comedy—there’s such a
breadth to what she can
do,” says Ben Falcone,
McCarthy’s husband and
frequent collaborator.
Ralph Lauren turtleneck,
Lafayette 148 New York
pants, Gucci sneakers and
McCarthy’s own rings.