Outdoor Photographer – September 2019

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new gear & tech


FIRST BIG-RANGE ZOOM FOR CANON EOS R


The new Canon RF 24-240mm F4-6.3
IS USM is an important milestone for
̅i
"-,ÃÞÃÌi“°7…i˜



˜œ˜
Àii>ÃiˆÌÃwÀÃÌvՏ‡vÀ>“i“ˆÀÀœÀiÃà V>“iÀ>ˆ˜̅iˆ˜ip̅i "-,p>ÃÌ year, it launched along with four lenses designed for the system, which ˆ˜VÕiÌܜ«Àˆ“iíÎx““>˜
x䓓®>˜Ìܜ✜“íÓn‡Ç䓓>˜
Ó{‡£äx““®°˜>Þœv̅ˆÃÞi>À]>˜
nx““«Àˆ“iÜ>Ã>i`̜̅i,i˜Ã lineup. Now Canon has announced the ,Ó{‡Ó{䓓{‡È°Î-1-]>£äÝ ✜“̅>Ì܈ÀiÌ>ˆvœÀfn™™>˜`܈ be available in September. In the early days of full-frame mirrorless cameras, Canon and Nikon -,Ã…>`>È}˜ˆwV>˜Ì>`Û>˜Ì>}i over mirrorless alternatives—namely Sony—due to the depth and breadth of lenses available for full-frame -,ð˜>ˆÌˆœ˜̜̅iiÝÌi˜ÃˆÛi
lines from Canon and Nikon them-
selves, third-party makers like Sigma,
Tamron and Tokina also offered
options for Canon and Nikon mounts.
But the landscape has changed in



recent years. While Canon and Nikon
stayed on the sidelines of the full-
vÀ>“i“ˆÀÀœÀiÃÓ>ÀŽiÌ՘̈Óä£n]
Sony charged ahead and aggressively
worked to address the biggest
shortcoming of mirrorless camera
systems: the relatively limited selec-
̈œ˜œvi˜ÃiÃVœ“«>Ài`̜ -,ð
And while both Canon and Nikon

released mount adapters along with
their full-frame mirrorless cameras,
܅ˆV…>œÜ̅iÕÃiœv -,i˜ÃiÃ
with mirrorless bodies, Sony now has a
substantial collection of lenses
`iÈ}˜i`ëiVˆwV>ÞvœÀ“ˆÀÀœÀiÃð
These native lenses not only eliminate
the need for a bulky adapter but
they’ve also been designed and built

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