1
Wind a warp of 265 ends 5 yd long (includes fl oating
selvedges), following the warp color order in Figure 1.
Warp the loom using your preferred method following the
draft in Figure 2. Centering for a weaving width of 8^14 ⁄ 15 ",
sley 2 per dent in a 15-dent reed. Sley the fl oating sel-
vedges in separate dents on each side of the warp.
Note: Adequate li ght is important to distinguish between
the 2 primary warp colors.2
Wind a bobbin with Hermosa Rose. Allowing at least
6" of unwoven warp for fringe, spread the warp with
scrap yarn.3
Leaving a weft tail 1 yd long for hemstitching, weave
½" plain weave. Use the weft tail to hemstitch in
groups of 8 warp ends.4
Continue weaving following the draft in Figure 2 for
about 65½". Beat lightly and check your ppi as you
weave, aiming for 38 ppi. Beating on an open shed may
help to achieve a light beat. End with ½" of plain weave and
hemstitch as you did at the beginning.5
Use scrap yarn to weave 13" before starting the sec-
ond scarf. This allows for 6" of fringe on each scarf.
Weave the second scarf as you did the fi rst, but follow the
second pattern treadling, this time aiming for 33 ppi.6
Leaving at least 6" for fringe on both ends, cut the
fabric from the loom. Cut the scarves apart, remove
the fi ller yarn, and trim the fringe to 6". Prepare a twisted
fringe using 2 groups of 4 ends in the hemstitched bundles.- Warp color order
3
195 53
93
466
183
183 3
93
1
22 #420 Hermosa Rose#403 Mexican Chocolate2x
3
52x1832x2x2x
3
9
265 ends total (includes floating selvedges)#23 TruffleHeddle countShaft 3
Shaft 2
Shaft 1Shaft 4Total45
58
8674263- Draft
11232343x3x 3x 3x 5x123
14 4 4 4 4
33 3
2
1 13 3 3
2 2
13 34143xScarf 1Scarf 214
2
114 4
23
142
156
3443x3x9x3x3x65½"3x 65½"3x3x414x2 2 2 2floating selvedge½" plain weave½" plain weave½" plain weave½" plain weave#420 Hermosa Rose7
Wet-fi nish in warm water with mild detergent by gently
agitating and then leaving the scarf to soak for 5 minutes.
Hang the scarves to dry and press the wrinkles out while still wet.
Iron on silk setting to bring out the sheen of the silk.ROBIN WILTON has been weaving for over 40 years. She left her job last
year to pursue weaving full-time and is having a wonderful time. Robin's
"Inkle Rug" was in the first issue of Handwoven in 1979.SUSAN DU BOIS of Lakewood, Colorado, is passionate about all things silk.
She has been the owner of Treenway Silks since 2011 and loves sharing her
knowledge of silk. Susan has been friends with Susie Rider, the founder of
Andrea's angels (Aa) for more than 20 years. Susie started Aa when her
young daughter was diagnosed with cystic fibrosis. Aa raises funds for the
Cystic Fibrosis Foundation to help find a cure for the disease.wKaulitz, Manuela. “Crackle Patterns from Twill Profi les.”
Handwoven, September/October 1994, 42–43.
wMitchell, Peter. “Name Draft ing.” Handwoven, March 1982,
34–37.
wvan der Hoogt, Madelyn. “Understanding Blocks.” Handwo-
ven, May/June 2000, 24–27.
wWalker, Barbara. “Name Draft ing: Madelyn’s First Handwo-
ven.” Handwoven, November/December 1999, 36–38.
wWilson, Susan. “Bold Brights and Tranquil Tones: Poly-
chrome Crackle Scarves.” Handwoven, January/February
2014, 34–36.50 | HANDWOVEN http://www.interweave.com