GRAMMYAWARDS
Keith O. Johnson, immersive audio engi-The Orchestral Organ From left: Luis Fonsi, VIDA; Maluma, 11:11; Ricardo Montaner, BEST^ LATINMontaner^ POP^ ALBUM; Alejandro Sanz,^ #ELDISCO; Sebastián Yatra, Fantasía.
neer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin and Victor Ledin, immersive audio producers (Jan Kraybill) The Savior
Bob Clearmountain, immersive audio engineer; Bob Ludwig, immersive audio mastering engineer; Michael Mar-quart and Dave Way, immersive
audio producers (A Bad Think)BEST ENGINEERED ALBUM, CLASSICALAEQUA — Anna
ThorvaldsdóttirDaniel Shores, engineer; Daniel Shores, mastering engineer (International Con-temporary Ensemble)Bruckner: Symphony No. 9
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and the Pittsburgh Symphony Orchestra)Rachmaninoff — Hermitage
Piano TrioKeith O. Johnson and Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio)Riley: Sun Rings
Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet) Wolfe: Fire in my mouthBob Hanlon and Lawrence Rock,
engineers; Ian Good and Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus of New York City and the New York Philharmonic)