D
orothy“D.C.”Fontanawasinthe
privilegedpositionofbeinginvolvedwith
GeneRoddenberry’sStarTrekfromthe
verybeginning,as a secretary,scriptwriter,
andstoryeditor.Shehelpedshapesome
fundamentalaspectsoftheuniverseofStar
Tr e k, notleastthecharacterofSpock–
recentlydevelopedevenfurtherinthesecond
seasonofStarTrek:Discovery.
FontanacametoStarTrekthroughwriting
televisionwesterns– includingSamuelA.
Peeples’The TallMan– whileworkingas a
productionsecretary.It wasinthiscapacity
thatshebeganworkingforRoddenberry
onStarTrek, butit wasn’tlongbeforeher
ambitiontowritecametothefore.Fontana
is oneof thefewremainingpeoplefromthose
earlydayswho’sstillaround,sowhenthe
opportunityarosetotalktothis“livinglegend”
- asDiscoveryandStarTrek:Picardwriter
KirstenBeyerputit ina profile of Fontanain
StarTrekMagazine#69– wecouldn’tresist.
StarTrekMagazine: Youwereoneofa
handfulofwomenmakinginroadsinto
televisionscriptwritinginthe1960s,and
youwerewithStarTrekfromthestart.
D.C.Fontana:Yes,andbecauseI hadbeen
withit fromthebeginning,I waswellaware
ofallitsaspectsandstorypossibilities.When
I requestedit,Roddenberrygavemethe
assignmenttoadapthisstory,“CharlieX”
[thesecondepisodeofSeason1],intoa script.
BecauseI wasworkingonshows,instudios,I
hada verygood“in,”andI tookadvantage.If
I hadbeenanoutsidewriter,tryingtogetin,
it wouldhavebeenharder.
WhatroledidGeneRoddenberryplayin
helpingyourealizeyourambitions?
Genegavemethesamekindofopportunities
as SamPeeplesdid.I wasontheshowevery
day,readingeveryscriptthatcameinfrom
freelancewriters,andthoseRoddenberrydid.
I knewit intimately.GeneknewI hadalready
soldmaterialtotelevision,soheallowedme
towriteforStarTrek. After“CharlieX,”I
wrotescriptsfromstoriesI cameupwith,or
rewritesI wasassignedbyRoddenberrytodo.
HowdidhumorousSeason1 timetravel
tale“Tomorrowis Yesterday”comeabout?
I hadthoughtofa sortof“returnto
yesterday”story,butI wasspurredto
“Tomorrowis Yesterday”bysomelinesin
JohnD.F. Black’sscript“The NakedTime.”
Therewasa briefreferencetotimetravel,as
I recall;I pickeduponit andranwithit.I
thoughtit wouldbea lotoffuntohavea
contemporarypilotthrustsuddenlyintoa
futurehecouldn’tevenbegintoimagine.
Thenhehastoliveinthatworldfora bitand
notonlyfigureit out,butfigureouthowto
returntohistimeonEarth.
Searching
for Spock
It’s safe to say that without original series writer and story editor
D. C. Fontana, Spock wouldn’t be the fully rounded character we
have come to appreciate across multiple television series and
movies. With the Vulcan’s starring role in Star Trek: Discovery
Season 2 still fresh in memories, Star Trek Magazine quizzed
D. C. Fontana about her early years on Trek, her deep
character development of Spock, and the possibilities
of Star Trek: The Animated Series.
WORDS: BRIAN J. ROBB
D. C. FONTANA