WORDS AND PHOTOGRAPHY BY DAVID CONWILL
I
f the 1955 Chevrolet Bel Air represented rock and roll, perhaps in the form of Bill Haley
and the Comets, then the 1955 Packard Four Hundred’s soundtrack was something
more like traditional pop from the likes of the McGuire Sisters or The Four Aces. Both are
classics equally representative of the 1950s, but the Packard and pop represent the adult
Able Aristocrat
Combing luxury, style, and performance, the 1955 Packard
Four Hundred was as contemporary as its competition
side of the equation—the men and women in gray fl annel that
set the overall tone of that decade. That’s not to say, however, that
the Packard gives up anything to “The Hot Ones” from Chevrolet.
The 1955 Packards looked remarkably fresh, especially
considering that their body shells dated back four years already.
Thank Richard Teague for that, as it was his pen that redrew the
28 HEMMINGS CLASSIC CAR OCTOBER 2019 I Hemmings.com