5
Choose a limited palette
A limited palette helps me to simplify the decision
process and it encourages a more cohesive image. A
colour study like this one becomes a roadmap for the final
piece, which I can refer back to during those inevitable
moments in the final painting when I feel a little lost in the
process and need to be reminded of the end goal.
7
Begin the underpainting
To begin the watercolour underpainting, I’m
adding a single wash of colour on the background and
then creating texture with a couple of different
watercolour techniques while the paint is still slightly wet.
This includes using kosher salt to soak up the paint as well
as adding water in other areas to create textured blooms.
6
Transfer the final drawing
After I’ve prepared my painting surface, which is watercolour paper mounted
to a 10x10-inch cradled wood panel, I transfer the digital sketch by printing it out at
the same size, then covering the back with graphite powder and tracing over it.
What’s left is a faint outline that I’ll then refine with my mechanical pencil.8
Create the watercolour texture
Using a single watercolour to establish my underpainting’s darkest values
comes in handy later when I begin glazing. The texture created by the blooms and
salt will still be visible as part of the underpainting, and although it takes some time
to dry, I love seeing the texture peek through further on in the painting process.In depth Mixed media