Opposite: Caption.reinforce the eclectic artists and genres that Glastonbur y offers.
Combine this with our unique technology that optimises sound coverage,
consistency and control and we’re able to unite massive audiences while
respecting other stages and local residents. We are grateful to RG Jones for
their continued faith and faultless deployment of our systems.”
Transition Video supplied the LED screens for IICON at Block9,
working closely with Alan King at production company Rocking Horse and
deploying a crew across the Glastonbur y site made up of Carl Stage, Peter
Hume, Pete Cross, Nathan Dunbar, Kristian Fox Maunder, Ben Sanderson,
Arran Vj-Air, Adam Birch and Alexi Parkin.
Standing tall amongst the well-established late-night venues, the new
stage aimed to transport visitors to another world. Tim Meadowcroft used
an Avolites Arena to control the huge number of fixtures that surrounded
the dance arena with the beams visible from across the site.
THE COMMON
The Temple was a haven for Glastonbur y’s late-night ravers, with a range
of big-name performers and DJs gracing its stage. It’s not just the music
and the eclectic atmosphere that makes Temple so special; since its launch
in 2017, the face of the Temple has become the centre of attention with a
stunning range of visuals bringing it to life ever y night thanks to the creative
minds of the production team.
The team comprised Paul De Villiers as the Lighting Designer, Arran
Rothwell-Eyre taking care of the media ser vers and a team from Limbic
Cinema curating the content and operating the live video mixing.
Lightwave Productions provided the lighting equipment with the
assistance of SGM Events.
This year, Avolites introduced Synergy – the new feature set in its Titan
and Ai v12 software, which integrates lighting and video control into oneGLASTONBURY