Billboard – August 10, 2019

(C. Jardin) #1

‘THAT MOMENT CHANGED MY LIFE’


MUSIC VETERAN/ACTIVIST JIM FOURATT


REFLECTS ON STONEWALL’S LEGACY


O


f the hundreds of people


at the Stonewall Inn in


New York’s Greenwich


Village the night of June 27,


1969 — a historic turning point in the


gay rights movement — Jim Fouratt,


78, may be the only one who went


on to have a long career in the music


business. A lifelong activist who


co-founded the Yippies and the Gay


Liberation Front and was heavily


involved with ACT UP and the fight for


AIDS research, Fouratt also helped run


clubs including Hurrah, Danceteria, the Peppermint Lounge


and Studio 54; co-managed artists as diverse as Richard Lloyd


and Ornette Coleman; and worked at Columbia Records,


Mercury Records and Rhino Records.


You have said what happened at Stonewall that night was not a riot,


because it wasn’t that violent, nor an uprising, because it wasn’t


preplanned, but a rebellion.


It was a rebellion [against] internalized homophobia. You grow up in a


homophobic world [with a] hatred of homosexuals. No matter how out you


are, there’s still all that contradiction inside. That night, for me and for many


other people who were there, it was a flashpoint moment. We looked at each


other in a very different way. We saw full human beings, not potential sex


relationships. And that moment changed my life.


What was it like then working as a gay man in the music business?


The music business was incredibly closeted. Nobody was gay or lesbian to


the world. I’m not going to name names, but there were powerful people both


in management and at record labels [who were queer]. But nobody was out.


From a music business perspective, what is the Stonewall legacy?


My goal always was an integration of personhood and sexuality. The closet


separated those, so you could never be the same person all the time —


certainly [not] in the music business. It’s a world that doesn’t exist in the


same way today because of Stonewall.


In June, you and visual artist Joel Handorff, 74, were married — at the


Stonewall National Monument.


I had a political reason for getting married. It was really important right


now because [of the battle over] women’s right to choose and control


their bodies, which is under severe attack. The right to marry for same-


sex people is also going to be under attack because of the same political


force that has gone after women. [But also] I started to listen to my heart.


I had fallen in love with this man, a smart and wonderful painter with an


incredible spirit. And I said, “Why not?” —THOM DUFFY


A CAUSE HE SUPPORTS “The City of


Hope. I’m on its entertainment board.


The organization is a reminder that


there are thousands of passionate


people who are trying to put an end to


cancer. They have helped my mother


who has suffered from cancer.”


David Krinsky


HEAD OF U.S. INDEPENDENT


LABEL RELATIONS


YouTube


Krinsky, 41, leads YouTube’s Artist on


the Rise and Foundry programs, helping


new acts like Omar Apollo, Arlo Parks


and iyla create their best content on the


platform. But he has had success with


established artists as well. “Our deep


partnership with Daddy Yankee helped


his hit ‘Con Calma’ become the first


music video released in 2019 to break


1 billion views,” he says.


A CAUSE HE SUPPORTS “The San


Francisco AIDS Foundation. They’re on


a mission to make it a zero-transmission


city and improve the lives of those


living with HIV/AIDS through testing,


medicine and other strategies.”


Steven Lankenau


VP


Boosey & Hawkes


Lankenau, 43, coordinated 2,000 North


American events during the past year


to celebrate the centennial birth of the


late Leonard Bernstein, whose works


are represented by Concord-owned


Boosey & Hawkes. “The Bernstein


children were incredibly pleased,”


says Lankenau of the tributes to the


famed composer, which included


a gala concert that was hosted by


Audra McDonald and featured Andris


Nelsons, John Williams and Yo-Yo Ma


at Tanglewood, the summer home of


the Boston Symphony Orchestra.


PRIDE TODAY IS “A commercialization


of a minority. I approach it with a certain


amount of skepticism. [Pride flags] in


storefronts seem [like an attempt] to


cash in on the disposable income that


gay men and women supposedly have.”


Wade Leak


SENIOR VP/DEPUTY GENERAL


COUNSEL/CHIEF COMPLIANCE,


ETHICS AND PRIVACY OFFICER


Sony Music Entertainment


On Sony Music’s legal team, Leak,


56, has worked to prevent the piracy


of streams and helped “the industry


make sure all of the streams that


are being recognized are actual


consumers choosing to listen to


our music.”


MOST IMPORTANT ISSUE “One of


the important missions I have is to


promote the core values of Sony Corp.


[defined by the parent company as


fairness, honesty, integrity, respect


and responsibility] and show how


those core values can lead to business


success. That’s something that


matters to me.”


Ellen Lu


TALENT BUYER


Goldenvoice


Tyler, The Creator’s 2018 Camp Flog


Gnaw Carnival sold out in under


two hours thanks in part to Lu,


29, who booked Kids See Ghosts,


Brockhampton and Post Malone for


the event, which moved last November


to Dodger Stadium in Los Angeles. For


Lu, who was selling merchandise as an


AEG intern seven years ago at the first


Camp Flog Gnaw Carnival, “[to be]


booking this festival now [and] to see it


grow into what it is today is still a bit of


a pinch-myself [moment].”


PRIDE TODAY IS “Loving yourself


enough to know that you don’t have


to compromise who you are for


acceptance, equality or even visibility.”


Rick Marcello


MANAGER OF CREATIVE SYNC


Kobalt Music


Marcello, 30, seeks synch


opportunities across Kobalt’s catalog


to ensure LGBTQ songwriters are in


the mainstream. “Pride needs to be


about affecting the bottom line for the


most oppressed people in the room,”


says Marcello. A placement for Big


Freedia’s “Rent” in the promotional


campaign for HBO’s Insecure helped


make it the artist’s most streamed


single and contributed to an overall


30% rise in synch revenue for Kobalt


and AWAL artists.


A CAUSE HE SUPPORTS “The Trans


Women of Color Collective, because


they do real, effective work for a


community that suffers greatly. Trans


women of color, their lives are at risk.


They need our support.”


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CONTRIBUTORS


Rich Appel, Megan


Armstrong, Dave


Brooks, Harley Brown,


Stephen Daw, Thom


Duffy, Nolan Feeney,


Alexis Fish, Jenn


Haltman, Cherie


Hu, Steve Knopper,


Joe Lynch, Taylor


Mims, Gail Mitchell,


Melinda Newman,


Paula Parisi, Alex


Pham, Annie Reuter,


Eric Spitznagel, Nick


Williams


Participants marched in New York in 1970 to commemorate the


first anniversary of the Stonewall rebellion. The event, then known


as Gay Liberation Day, was later renamed Gay Pride Day.


Fouratt


1979


San Francisco Mayor


Dianne Feinstein proclaims


“Sylvester Day.”


The now-senator dedicated March 11 to disco


star Sylvester, whose powerful countertenor


voice — heard on dancefloor hits like “You


Make Me Feel (Mighty Real)” — and flamboyant,


gender-bending style paved the way for Boy


George, Pete Burns and RuPaul. —T.S.


QUEER MUSIC MILESTONES


Marcello


Lu


Leak


Lankenau


Krinsky

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