Autocar UK – 14 August 2019

(Brent) #1

of its electric steering to the sound


of its engine. So why not equip your


electric car with a sound selector?


You could go to work sounding


like an Italian V12 and come home


sounding like an American V8. But


there’s still no gearbox. No, but you


could programme the electric motors


to behave as if there were and tailor


the sound to suit. You could choose


your own ratios, too. All seems a bit


artificial, doesn’t it? But then so is


life, increasingly. I read that E-sports


(which I don’t understand at all) is
now a $1 billion industry with close

to half a billion viewers, and they


all know that what they’re doing


or watching isn’t real, so maybe it


doesn’t matter.


I n s ome a r e a s e le c t r ic s p or t s c a r s


will be better than those we have now


because they will be able to let you


enjoy driving in ways that are either


impossible or unwise today. People


l i k e me lov e t o t a l k a b out sl id i n g


cars, but you can’t just oversteer


anywhere on demand, even in a car


like a Cayman GT4, at least not safely.


Electric cars promise to bring a new


level of controllability, because power


can be released to the four corners


of the car and controlled to the last


electron in a way that’s simply not


possible with the blunt instrument


t h at i s e v e n t he sh a r p e s t of i nt e r n a l


combustion engines. And it doesn’t


stop there. Remember that electric


cars can put their centres of gravity


at earthworm altitude and that while


they seem hopelessly heavy right
now, they’re already getting lighter,

and that process will accelerate


dramatically when someone in


the near future works out how to


productionise a solid-state battery.


So it’s far from all doom and gloom


and I’m trying to figure out whether


it s ay s mor e a b out me or t he c a r s of


the future that I’m still struggling to


get excited about it. How important


is it that what is perceived is the


s a me a s w h at i s a c t u a l l y h app e n i n g?


A sound is a sound and a slide


a slide – why should it matter


whether they occur naturally or are


manufactured in laboratories? But


it does matter, at least to me, and for


two reasons. One is the same reason


my wristwatch is mechanical rather


than electronic, even though that


makes it both far more expensive and


less accurate than it could be. I like


engineering, oil and metal, cog and


wheel engineering. It feels authentic.


I can see how you can synthesise


almost any noise, and even almost
any feeling. But you can’t synthesise

character. The greatest appeal of the


Cayman GT4 is not its speed or grip,


nor its balance and poise. It’s the car’s


c h a r a c t e r; it i s w h at m a k e s me w a nt


to drive it. And you can’t fake that.


Stuck in the past though I must


accept I am, my second concern


lies far into the future: follow the


logical progression as cars become


electrified, their sound, feel,


action and reaction increasingly


synthesised. Where does that road


end for the enthusiast? In an arcade


game that marketing departments


will call a simulator, where you can


oversteer to your heart’s content


without wearing out your tyres,
annoying the public, parking your

car in a field or spending hours


getting to the right road and back.


Then all those selfish speed demons


and road hogs who once had the


temerity to try to enjoy driving in


public can be confined to practicing


electronic automotive onanism, safe


and secure in their own bedrooms.


If that sounds like fun to you, good


luck. For me, and for as long as I still


can, I’ll stick to driving real cars


on real roads. It’s an effort for sure,


but I’ve never come across a proper


enthusiast who didn’t think the effort


was worth it. L


The^ Pininfarina^


Battista^ EV^ also^


promises^1900 bhp


Electric^ Rimac^ C_Two^


claims^ a^ ‘user-friendly

1887 bhp^ peak^ output


BMW is milking


pure EV power


for the next i 8


Δ interesting to the enthusiast? These


are cars that make no sound worth


listening to, don’t need gearboxes and


deliver all they have to offer at once.


They’re long on instant gratification


and thereafter worryingly short on


giving the driver stuff to do.


And that’s an enormous problem,


not for manufacturers making


electric cars as mere transport



  • in fact, for them it’s probably


a net bonus – but for those with


reputations for producing genuinely


fun and sporting cars to maintain.


As statements of the bleedin’ obvious


go, to observe that the more involving


a car is, the more involved its driver


will be is right up there with the best.


But so too is it true.


The reason I love old cars is that


they’re mostly rubbish. If they are


to conduct themselves from one


place to the next with any degree of


de c or u m , y ou h av e no c hoic e but t o


get involved. And that means there’s


always stuff to do. Among your


many other roles, you are the engine


management, responsible for using


the tools at your disposal – the clutch


and gearbox – for ensuring the motor


remains in that narrow band where


it sounds and performs the best. And


that’s not just fun, if you get it right


it’s pretty satisfying, too.


Back in the near future you could,
of course, synthesise much of what

has been lost, and perhaps that will


happen. The car you drive now is


perhaps already synthesising more


than you might imagine, from the feel

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