Chicago Magazine - 09.2019

(Kiana) #1

HAB ITAT


56 CHICAGO | SEPTEMBER 2019 Styling by KELLY McKAIG


W


HEN YOU LIVE IN THE KIND
of house that requires you to
restore 90 leaded glass win-
dows and replace a copper

roof (twice) plus seven headless gar-


goyles, curious strangers tend to come


knocking on the door. Such has been the


experience at a Kenwood mansion owned


by sculptor Melissa Weber and her hus-


band, Jay Dandy, a research assistant at


the Art Institute of Chicago. “One time a


guy who worked for Reverend Clarence


Cobbs, who lived here for 30 years, came


by,” Weber recalls. “Another time, an


expert with the Hyde Park–Kenwood


Historic District wanted a tour.”


These days, it’s the art crowd that


covets an invitation to one of the many


art openings hosted by the passion-


ate collectors, who have filled their


11,000-square-foot Gothic Revival with


pieces that contrast with the dark and dec-


orative architecture. Among their trove:


85 or so George Nelson clocks, several


Andy Warhol silkscreens, a handful of Roy


Lichtenstein prints, ceramics by Theaster


Gates and Suze Lindsay, some rather sexy


Tom Wesselmanns, and one taxidermied


honey-colored black bear. “We didn’t want


to make an expected house,” Dandy says.


The couple never anticipated living in


such a storied home — at least, not one that


diverges so dramatically from their typi-


cal taste for midcentury modern design.


But once they had two sets of twins (now


ages 19 and 22) and enrolled them in the


Un iver sit y of C h ica go L abor ator y Schools


in Hyde Park, moving from Wicker Park


made sense. That was in 2002. “We’d go


trick-or-treating to look at houses, and


we must have formally toured at least a


dozen,” recalls Dandy, noting that the


family’s previous residence was a tall


and narrow Victorian.


With its generous proportions, 11


bedrooms, coffered ceilings, and grand


central staircase, the red-brick Kenwood


house was irresistible. Charles Sumner


Frost, who designed Navy Pier, built it


in 1909 for the president of the Union


Stock Yard & Transit Co., which was


the impetus for Carl Sandburg’s famous


description of Chicago as “Hog Butcher ACCESSORIES: JAYSON HOME AND GARDEN | FLORALS:


FLOWERS FOR DREAMS

The original vaulted ceiling adds
grandeur and drama to the couple’s
bright office. It’s outfitted with
an actual zebra skin, Dieter Rams’s
shelving units, and a Florence
Knoll table.

The 110-year-old red-brick
Gothic Revival was designed by
Charles Sumner Frost for the
president of what was once the
nation’s largest stockyard.
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