136 GRAMOPHONE SEPTEMBER 2019 gramophone.co.uk
HIGHFIDELITY
MELCO N100
Type Digital media library
Price £1800
Hard drive capacity 2TB HDD
Connectivity ‘LAN’ and ‘Player’ Ethernet
ports, 3xUSB3.0 (two rear, one front) for
storage, USB audio, etc
Control Front-panel touchscreen or
smartphone/tablet apps
Accessories supplied SongKong and
MinimServer software (installed, activated
online), power supply
Dimensions (WxHxD) 21.5x6.1x26.9cm
melco-audio.com
I
nthefiveyearssincetheMelcobrand
firstappearedontheaudiostage,the
companyhasestablisheditselfasago-to
solutionforthosewantingtostream
theirmusicfromsomethingotherthan
acomputerormulti-purposenetwork-
attachedstoragedevice.Backin 2014
theaudiophileMelcoN1musicsystem
waslaunchedbytheJapanesestorage
companyBuffalo,itselfasubsidiaryof
MelcoHoldings–andifthatisn’talready
confusingenough,Melcostartedoutbackin
1975 asanaudioequipmentmanufacturer
beforemovingintothecomputerequipment
marketin1981,takingtheBuffaloname
fromoneofitsoriginalcomputerproducts,
aprintermemorybuffer.
Theaudioproductwasthusalogical
move,Melcohavingboththeaudioknow-
howandthehard-drivetechnologytobuild
equipmentwellsuitedtotheneedsofmusic
serving,wheretypicallycontentiswritten
oncetoadriveandthenneedstoberead
manytimes,sometimessimultaneouslyby
severalclients.TheinitialMelcooffering
remainsessentiallyunchanged:astorage
solutionwithdrivesoptimisedformusic,
andwithanetworkingimplementation
abletoisolateanattachednetworkmusic
playerfromtheilleffectsofeverythingelse
happeningonthehomenetwork.
Inrecenttimes,though,there’sbeena
subtleshiftinthethinkingatMelco.While
thatisolatednetworkconnectionisstill
verymuchpartoftheoffering–allthe
company’smachineshavetwoEthernet
ports,onemarked‘LAN’forthenetwork
andtheotherasdirectfeedforanetwork
musicplayer,lackingeventheusual
EthernetindicatorLEDsinthequestfor
interferencesuppression–there’sanew
emphasisintheuseoftheMelcodevices
as‘musictransports’intheirownright,
designedtobeusedstraightintoadigital-
to-analogueconverterviaaUSBoutput.
That’stheconfigurationofthemost
affordableMelcomodel,thenewN100,
whichsellsfor£1800andhasbeen
launchedalongsideaflagshiptwo-box
launched at the 2019 High End Show in
Munich. This is designed to give easy and
accurate music cataloguing and browsing
tailored to specifi c musical genres,
including a set of parameters especially
designed for classical music and offering an
exemplary level of ‘deep-diving’ into the
detail of music stored on the N100.
There’s so much to say about this system
that I’m taking the unusual step of devoting
this month’s Audio Essay to the problem of
tagging classical music and how the Melco
software addresses it. Suffi ce it to say here,
the system offers remarkable granularity –
to use the currently fashionable term – in
exploring even large libraries of music.
And the sound? Well, regular readers
will know that in the past I’ve been less
than convinced with what the Melcos offer
when used as a server for network music
players; but then I run a highly optimised
network for music with optical isolation.
However, ‘breaking’ my network by going
back to plugging everything into my
internet provider’s router, then inserting
the Melco between network and player,
showed defi nite improvements in focus and
general clarity with the Melco in harness,
thus making the music considerably more
interesting and involving.
The same goes when using the Melco’s
USB output into a variety of DACs, in
place of a computer: there’s a graininess
with a standard computer that’s entirely
absent with the N100 and it’s clear that the
digital feed is cleaner, with less noise. Used
this way, even budget DACs of the likes
of the Meridian Explorer2 and the Chord
Mojo have considerably more sparkle and
dynamics, showing the value of a decent
single-purpose digital ‘transport’ in a
system such as this.
combination, the £6750 N10, which has
a separate offboard linear power supply.
The N100 shares with that model newly
designed ‘half-width’ casework, with
matching expansion units available in the
form of the D100 CD Loader, used for
ripping discs for storage, and the E100
expansion drive, to supplement the 2TB
of internal storage of the N100.
Like all Melco products, the N100 is
designed from scratch as a pure audio
device, containing no standard IT or PC
parts – everything is custom-designed
in-house – and with an eye to ease of
set-up and use. Using the same internal
architecture as the company’s N1 series
‘full size’ digital music library, including
Melco’s HS-S2 (Highly Stable Storage
System) anti-vibration system, it’s a fanless
design, built on a 2mm sheet-steel chassis
and with aluminium front and top plates.
It can be controlled from the front panel
or over the network using a smartphone or
tablet running a control app: at the time
of writing the much-promised Melco App
was still very much ‘forthcoming’ but third-
party UPnP apps such as Linn’s Kinsky,
Bubble UPnP and others will do the job
very nicely for now.
It supports fi le formats all the way up to
384kHz/32 bit and Octo DSD (or DSD512,
with its 11.2MHz sampling rate), and
content can be loaded on to the N100 using
‘drag and drop’ on a computer on the same
network or from USB storage, for which
ports are provided front and rear. You can
even, should you wish, use a computer-type
USB CD drive to rip discs to it, and connect
conventional USB storage to the ports to
expand or back up the internal storage.
PERFORMANCE
The review unit was the fi rst black sample
of the N100 to be released – but that
was far from the only remarkable thing
about this little unit, which is just 21.5cm
wide, stands a shade over 6cm tall and is
a featherweight 3kg. The N100 can serve
content to external devices using Twonky
Server 8.5 and even offer direct music
downloads from online retailers – at the
moment only highresaudio.com, with
others on the way – but that’s standard
Melco fare. What was new on the review
sample was the provision of the company’s
Melco Intelligent Music Library software,
REVIEW MELCO N100
Server with a stylish twist
The entry-level music library server/player from
Japan’s audio storage experts has a trick up its sleeve
The new software is
designed for classical music
and o ers an exemplary level
of ‘deep-diving’ into the detail