RECORDING OF THE MONTH
gramophone.co.uk GRAMOPHONESEPTEMBER 201949
F £10andover
M £7.76 to £9.99
B £6.25 to £7.75
S £6.24 and below
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b Compact disc
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Í SACD (Super
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◊ DVD Video
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6 LP
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Editor’s Choice
Martin Cullingford’s pick of the
inest recordings reviewed in
this issue
couldevokethemostprofoundofRumi’s
mystic odes?). Every choice of timbre,
tempo and agogic infl ection seems to
point up the dramatic and musical
connections that hold the entire
selection of Songs together.
Kozhukhin’s pick of Grieg’s Lyric Pieces
is equally inspired. Again we have not just
a randomly varied assembly of pieces but
an over-arching story. Kozhukhin is
responsive not only to the Griegian sound
world but also to the individual character
of each piece, giving due place to fantasy
and a touch of the fairy-tale. Even at third
or fourth hearing, new expressive turns and
visionary interpretative choices emerge.
Listen out for the fractional delays in the
dancelike numbers, for example, and see if
they don’t bring a smile to your face.
Andsnes(EMI/Warner,4/02)makesfor
an interesting comparison here, in that
the Norwegian has a somehow more solid,
more central conception of this repertoire,
but not necessarily a more riveting one.
Take, for instance, the Waltz, Op 12
No 2, where Kozhukhin is the more
unpredictably capricious. These are
performances worthy of a place on the
shelves beside the classic Gilels (DG).
From the ‘once upon a time’ opening of the
‘Arietta’ to the subtly rhetorical ‘Elegy’,
with its constant questioning intonations,
to the almost frenzied jubilation of
‘Wedding Day at Troldhaugen’, this is
an extraordinary journey, made all the
more enjoyable by top-class recording
quality and Nigel Simeone’s delightful
PHOTOGRAPHY: booklet essay.
VERONICA NEO, MARCO BORGGREVE
KEY TO SYMBOLS
Creative and poetic pianism: Denis Kozhukhin’s exploratory musicality illuminates the music of Grieg and Mendelssohn