LATIMES.COM/BUSINESS TUESDAY, AUGUST 6, 2019C3
NEW YORK — Two of the
country’s largest newspaper
companies have agreed to
combine, creating a new in-
dustry giant that hopes to
manage the crisis of print’s
decline through sheer size.
GateHouse Media, a fast-
growing chain backed by an
investment firm, is buying
USA Today owner Gannett
Co. for $12.06 a share in cash
and stock, or about $1.4 bil-
lion, promising to speed up a
digital transformation as
readers shift online. The
companies say they are com-
mitted to “journalistic excel-
lence” — while also planning
to cut $300 million in yearly
costs.
The combined company
would have more than 260
daily papers in the United
States, along with more
than 300 weeklies. It would
be the largest U.S. news-
paper company by far, with a
print circulation of 8.7 mil-
lion — 7 million more than
the new No. 2, McClatchy, ac-
cording to media expert Ken
Doctor.
Local papers, faced with
the complex and expensive
process of building digital
businesses to replace de-
clines in print ads and circu-
lation, have been consolidat-
ing madly in recent years. Al-
though papers with national
readership such as the New
York Times and the Wash-
ington Post have had suc-
cess adding digital subscrib-
ers, local papers with local
readerships are having a dif-
ficult time. Hundreds of
such papers have closed,
and newsrooms have
slashed jobs.
According to a study by
the University of North Car-
olina, the U.S. has lost al-
most 1,800 local newspapers
since 2004. Newsroom em-
ployment fell by a quarter
from 2008 to 2018, according
to Pew Research, and layoffs
have continued this year.
Both GateHouse and
Gannett are known as buy-
ers of other papers. Bulking
up lets companies cut costs
— including layoffs in news-
rooms — and centralize op-
erations.
Those cuts could give the
owners “a cushion of time” to
figure out how to improve
their digital businesses,
longtime industry analyst
Rick Edmonds of the Poyn-
ter Institute wrote Sunday.
But it’s no panacea. “I
don’t think, just by these
companies merging, they’re
going to somehow magically
find a new business model,
make everything all right
and produce robust journal-
ism at a local level,” Butler
University journalism pro-
fessor Nancy Whitmore said.
Still, she said, a bigger, com-
bined newspaper company
could sell more national ads
and boost ad revenue.
GateHouse’s owner, New
Media, is taking on new debt
to get the deal done — a $1.8-
billion loan from private eq-
uity firm Apollo Global Man-
agement. That will have to
be paid back.
“We’ve been hearing for
years and years about the
glories of cost efficiencies,”
said Northeastern Uni-
versity professor Dan Ken-
nedy, a proponent of local
ownership for media outlets.
But it’s unclear, based on
past media mergers,
whether those savings will
benefit the papers, its em-
ployees or their readers, he
said. He wonders whether
combined companies make
more or fewer cuts than they
would have if they had re-
mained separate.
Several experts said they
do not expect the Justice De-
partment to have an issue
with the deal, as the two
companies have papers in
different markets. The com-
panies expect it to close this
year.
The combined company
would take the Gannett
name and keep its head-
quarters in Gannett’s cur-
rent home of McLean, Va.
Consolidation is nothing
new to either company. Gan-
nett’s last big U.S. print pur-
chase was in 2016, when it
bought papers in the Jour-
nal Media Group chain for
$280 million, including the
Milwaukee Journal Sentinel
and the Commercial Appeal
in Memphis. Gannett also
owns dailies in major cities
such as the Detroit Free
Press and Arizona Republic.
It failed in an unsolicited
bid for newspaper chain
Tribune. Gannett then
fended off an unwanted bid
by MNG Enterprises, better
known as Digital First Me-
dia, a hedge-fund backed
media group with a slash-
and-burn reputation for cut-
ting jobs and letting papers
wither.
Gannett shares rose 2.7%
to $11.04. New Media Invest-
ment Group, which owns
GateHouse, saw its stock fall
7.6%, to $9.89 a share.
GateHouse, Gannett to form a giant
Two of the country’s
largest newspaper
companies will merge,
promise to accelerate
digital transformation.
associated press
GANNETT CO., headquartered in McLean, Va., is being purchased by GateHouse Media, a fast-growing chain
backed by an investment firm. The companies may cut costs as they figure out a digital business plan.
Jacquelyn MartinAssociated Press
HSBC Holdings on Mon-
day announced the surprise
departure of Chief Executive
John Flint after just 18
months, saying that new
leadership was needed at
the bank as economic uncer-
tainty grows and that it was
cutting 4,000 jobs to reduce
costs.
HSBC said Flint stepped
down by mutual agreement.
Noel Quinn, the bank’s CEO
of global commercial bank-
ing, will serve as interim
CEO while the bank looks for
a permanent replacement.
Flint, 51, spent almost 30
years at the bank before he
became CEO with the prom-
ise to “continue to innovate
and accelerate the pace of
change” needed to meet the
demands of shareholders
and customers. HSBC
shares have sunk almost 14%
since Flint took over, com-
pared with a less than 1%
drop in the FTSE 100 index.
The bank on Monday re-
ported second-quarter prof-
its of $4.4 billion, up 7% from
the same period last year,
but it warned that “geopolit-
ical issues could impact a
significant number of our
major markets.” Economic
growth is expected to slow in
the United States and China
amid the U.S.-China trade
war. Asia accounts for 80% of
HSBC’s profits. And Britain
is preparing to leave the Eu-
ropean Union on Oct. 31,
raising uncertainty for the
London-based business.
HSBC confirmed that on
top of the leadership reshuf-
fle, it plans to cut 4,000 jobs
globally, or about 2% of its to-
tal workforce.
“With macroeconomic
and geopolitical head winds
mounting, the HSBC board
could be looking for more
radical reform,” said Nicho-
las Hyett, an analyst at Har-
greaves Lansdown. “What
that will look like remains to
be seen.”
Chairman Mark Tucker
said that although the bank
is in a strong position to de-
liver on strategy, a change of
leadership is necessary.
“In the increasingly com-
plex and challenging global
environment in which the
bank operates, the board be-
lieves a change is needed to
meet the challenges that we
face and to capture the very
significant opportunities
before us,” he said.
Surprise
exit for
CEO
of HSBC
associated press
Luxury movie theater
chain iPic Entertainment,
which helped lead the rise of
dine-in moviegoing, has filed
for Chapter 11 bankruptcy
protection and will pursue a
sale, the company said Mon-
day.
However, the Boca Ra-
ton, Fla.-based firm, which
has 16 locations, including
theaters in Westwood and
Pasadena, will remain open
for business, said founder
and Chief Executive Hamid
Hashemi.
“To ensure an exciting fu-
ture for iPic for the benefit of
our guests, members, em-
ployees and other partners,
we have hired top consult-
ants and advisors to find a
partner who shares our vi-
sion,” Hashemi said in a
statement. “Our brand is
thriving and leads the indus-
try in popularity, but our bal-
ance sheet needs to course
correct.”
The company’s stock
plunged 54% to 76 cents a
share. The stock has lost
nearly all its value since the
company held its initial pub-
lic offering in February last
year at $18.50 a share.
Founded in 2010, iPic
carved out an early niche in
the film exhibition industry
with its high-end in-theater
dining concept in which pa-
trons could order food and
beverages, including wine
and cocktails, from their
seats with the push of a but-
ton. Many iPic locations also
have full-service restaurants
attached.
IPic acquired Gold Class
Cinemas, which pioneered
the idea of letting customers
order food and booze from
their seats when it opened
its theater in Pasadena in
2009.
But the concept has since
become mainstream as large
exhibitors have upgraded
their theaters to combat
long-term declines in at-
tendance.
Rivals such as Mexican
theater chain Cinepolis and
Leawood, Kan.-based AMC
Theatres, the world’s big-
gest circuit, have introduced
their own luxury theaters
with dine-in options. Perks
such as recliner seating and
alcoholic beverages have be-
come increasingly common.
The tough competition,
which often offered ameni-
ties at a lower price than
iPic, proved to be a major ob-
stacle, according to court fil-
ings. An iPic adult ticket
costs about $32, a high price
compared to most other the-
aters, even in major cities
such as Los Angeles.
“Even though the compa-
ny’s competitors’ overall ex-
perience did not compare to
that of [iPic], the availability
of reclining seats used by
competitors at a lower con-
sumer price point proved to
be a challenge,” said Aurora
Management Partners co-
founder David M. Baker, in
his court declaration filed
Monday.
Rising construction
costs, a disappointing IPO
and the cyclical nature of the
box office also posed chal-
lenges, Baker wrote. The
company had planned to
build 20 to 25 locations.
IPic has struggled under
a heavy debt load. The com-
pany, in a regulatory filing,
said it owes $205 million to
secured creditors under a
pre-petition loan agree-
ment, along with $13 million
to $15 million to unsecured
creditors, including vendors
and suppliers. IPic posted a
loss of $56.8 million last year.
As of Dec. 31, 2018, the com-
pany had assets valued at
$158.7 million and liabilities
totaling $277.9 million.
Current management
will remain in place during
the bankruptcy process,
which the company expects
will take 90 to 120 days, the
firm said.
The company has se-
cured $16 million in debt fi-
nancing from the Teachers’
Retirement System of Ala-
bama and the Employees’
Retirement System of Ala-
bama to fund its operations.
IPic has 240 full-time em-
ployees and 1,770 part-time
workers.
Luxury cinema chain iPic in bankruptcy
Trailblazing movie
theaters were among
the first in industry to
popularize chic dining
and booze concepts.
By Ryan Faughnder
MINECRAFTfans gather at the iPic Westwood theater for a computer gaming
event. The cinema chain was known for its plush seating and gourmet food.
Luis SincoLos Angeles Times
City National Bank said
Tuesday that it acquired
FilmTrack, a Studio City-
based software company
that helps entertainment
businesses manage their in-
tellectual property.
Financial terms of the
deal were not disclosed.
City National Bank said
the deal will provide its cus-
tomers with more services,
while FilmTrack said the
bank’s investment will help
it grow.
FilmTrack’s software
helps entertainment com-
panies keep track of their in-
tellectual property, includ-
ing whether firms have the
rights domestically or
abroad to sell or license a TV
show or film.
“FilmTrack’s leading
technology and City Nation-
al’s history of serving the en-
tertainment industry create
a perfect combination,”
FilmTrack co-founder and
CEO Jason Kassin said in a
statement.
City National Bank CEO
Kelly Coffey said the deal
shows the L.A.-based bank’s
continued commitment to
providing services for the
entertainment industry.
“Organizing contracts,
tracking rights and making
timely payments have be-
come significantly more
complicated with all of the
changes taking place in the
entertainment industry,
and our company is able to
offer unique and compelling
solutions,” Coffey said in a
statement.
Jason Kassin and his
brother Stephen founded
the company in 1996 and
have raised more than $40
million in equity. In the
1990s, Jason Kassin, an ac-
tor, screenwriter and a self-
taught computer
programmer, was hired by
Overseas FilmGroup Inc. to
write software that tracked
the movie company’s film
portfolio. Jason Kassin later
decided to launch a similar
version of that software,
which became FilmTrack.
The company, which has
60 employees, will become a
subsidiary of City National.
FilmTrack’s executives will
continue on after the deal,
holding multiyear contracts,
City National said.
FilmTrack’s nearly 200
entertainment clients in-
clude A&E, Voltage Pictures
and AMC Networks.
City National Bank buys
software firm FilmTrack
The acquisition adds
intellectual property
management services
to the L.A.-based
bank’s offerings.
By Wendy Lee
FILMTRACKwas founded by Stephen and Jason
Kassin to help track intellectual property rights.
Luis SincoLos Angeles Times