Artist’s Back to Basic – July 2019

(Martin Jones) #1
I

f you are painting a botanical art
or natural history subject on a
white background, ensure your
work is protected at all times. Oils
from your hand can leave greasy
marks on the watercolour paper
which are impossible to remove as
they are absorbed into the paper.
Protection will also prevent
unwanted paint spots, splatters or
dropped brushes from damaging
your work. Simply use clear baking

paper or a larger piece of tracing
paper that will fit around your work.
These papers are transparent and
will also allow the hand to glide
across the paper and not stick.
Bend the edges of the protective
paper over the top and bottom of the
watercolour paper and tape at the
rear. Draw a line around the area of
your graphite drawing which will be
on the watercolour paper. Cut out
this section. The only area exposed

with Leonie Norton

Detailed Subjects on

White Background

Below left: Cover painting
with baking paper and
draw around subject

Below right: Cut out
around painting.

Drawing Basics

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