Cornwall Life – October 2019

(Barry) #1
Cornwall Life: August 2019Š 53

ANTIQUES


M


any of us will clearly
remember the days
when owning a copy
of the latest vinyl
music record was all the fashion –
everyone would rush out to go and
buy the new release from the likes
of The Beatles or Jimi Hendrix,
with these records representing
the height of modernity from the
1960s into the early 1980s.
This was all to change when
Philips and Sony began developing
the first compact discs in the
1970s; the vinyl record soon
became outdated and unpractical,
and in 1988 CD sales outnumbered
that of vinyl for the first time.
“The popularity of the vinyl record
declined so much that the majority
of pressing plants closed down,”
explains expert Tony Hesketh,
director of Phonostage Records
Ltd. Those born in the eighties
onwards would grow up in an era
of Walkmans and iPods, and today
even buying a CD is a rarity thanks
to the availability of music online.
However, recent years have
seen a renewed interest in the
vinyl record – by the end of 2016
sales had hit a 25-year high.
The generation who lived their
teenage years in the 60s and 70s
may be buying these records for
the sense of nostalgia, but there
is also a growing number of
younger buyers too with many
seeing vinyl as a novelty item.
“For the younger listener, there
may be the attraction of actually
owning something tangible from
your favourite artist, as opposed
to downloading or streaming,”
explains Grant Nicholas from
LoveAntiques.com. Tony Hesketh
adds that now we don’t have to
have music records, because we
have our phones and laptops to
play music instead, they can be
owned purely for the sake of fun
and investment. “Vinyl collecting
has become all about pleasure and
human traits and is nothing to do
with necessity anymore,” he says.

As with all antiques, the value
of an old music record can vary
considerably. The most expensive
records tend to be the rarest, or
the ones that have been signed or
owned by the artist themselves.
Original records by The Beatles
are consistently among the most
popular with collectors, and Ringo
Starr’s personal copy of White
Album recently sold at auction
for a staggering $790,000. Grant
adds that records by relatively
unknown artists can also be highly
valuable. “These are often sought
after by collectors, especially if the

music itself is good, or if one or
more members went on to greater
success later in their career.”
Most vinyl records will only
retain their value if they are in
good condition, so look for little
details such as whether the sleeve
and vinyl match up, and check for
any marks and scratches. If you
think you have a signed record it
may well be that accompanying
paperwork is needed, and study
the barcode to check the record
isn’t a re-issue.
It seems that vinyl records are
firmly ‘in fashion’ once again. This
means that now is as good a time
as ever to head up into the attic
and dig out your box of old music
records. Who knows, there could
be a valuable one-off edition
hidden somewhere in there. 

Find out more at
phonostage.co.uk and
loveantiques.com

Setting the


record straight


The arrival of the CD meant that the vinyl music record
became a thing of the past in the late 1980s - but today
we’re seeing its value and popularity surge once again

WORDS:Ellie Fells

BELOW FROM
LEFT: First UK
‘solid blue triangle’
copy of Dark
Side of the Moon
by Pink Floyd,
which is worth
up to £500; a
first pressing of
Axis: Bold as Love
by Jimi Hendrix,
which is worth up
to £400; Please,
Please Me by The
Beatles, which
sold for around
£340

Photo: Ivan Neru / Getty Images/iStockphoto
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