emerging and estab-
lished writers. Reading
period is August 1–
December 1. Send short
bio, including e-mail
address and SASE, to
Pinyon, Department of
Languages, Literature,
and Mass Communica-
tion, Colorado Mesa
University, 1100 N. Ave.,
Grand Junction, CO
81501-3122 or, to submit
electronically, check our
website at thepinyon
.wordpress.com.
thesantafe
Literary Review invites
mailed submissions of
CNF, fiction, poetry,
dramatic writing, and
cross-genre material.
2019 theme is “The
Spaces Between.” Mail
typed, double-spaced
submissions of 2,000
words or less (all
genres) + SASE to SFLR,
6401 Richards Ave.,
Santa Fe, NM 87508 by
November 1. Website:
http://www.sfcc.edu/santa-fe
-literary-review.
submitto
The Halcyone Literary
Quarterly your best
unpublished poetry,
short stories, and art.
Payment for featured
writers and artists.
Publication with the
Black Mountain Press
possible for contest
entries. Other oppor-
tunities for artists,
filmmakers, and writers.
Website: https://the
halcyone.submittable
.com.
tahomaliterary
Review is open May
1 through July 31 for
submissions in poetry,
fiction, and nonfiction.
We pay $50 for poetry
& flash prose, $125
for longer work.
Everything we accept
comes from the open
submission queue.
Work from TLR has
appeared in major
anthologies. Guidelines:
tahomaliteraryreview
.com.
truestory, a
monthly mini-magazine
from the editors of
Creative Nonfiction,
seeks unpublished
works of longform
narrative nonfiction
between 5,000 and
10,000 words long,
on any subject and in
any style. No deadline.
Complete guidelines at
http://www.creativenonfiction
.org/submissions.
twohawks
Quarterly is an online
journal affiliated with
Antioch University Los
Angeles’s BA program
in Creative Writing
and is setting the bar
for contemporary
literature with bold and
illuminating poetry,
fiction, CNF, and
quality experimental
work. Read us. Write
for us. Submissions
accepted year-round.
For guidelines, see www
.twohawksquarterly
.com.
upstreet:
award-winning annual’s
16th issue seeks
quality submissions
of fiction and creative
nonfiction. Past issues
feature interviews with
Jim Shepard, Lydia
Davis, Wally Lamb,
Michael Martone,
Robin Hemley, Sue
William Silverman,
Dani Shapiro, Douglas
Glover, Robert Olen
Butler, Joan Wicker-
sham, Andre Dubus III,
Robin Black, and Ann
Hood. Distributors:
TNG, Media Solutions.
Chains: Barnes &
Noble, Hastings,
Books-A-Million.
Deadline: March 1.
For new guidelines,
including payment, and
to submit: www
.upstreet-mag.org.
thewriter’s
Workshop Review
publishes the best in
creative nonfiction,
fiction, and interviews.
Send us narrative
nonfiction, personal
essays, short stories,
short shorts, as well
as travel, food and
wine, and writing with
a strong narrative
element. Submissions:
kathleenglassburn@
comcast.net. For
more, contact nick@
thewritersworkshop.net.
Websites: http://www.the
writersworkshop.net or
http://www.thewriters
workshopreview.net.
zizzle’s
Hardcover & Audio
Editions. Pay: $100/
flash fiction piece. Year-
round submissions.
500–1,200 words. Fee:
$3. We seek literary
fiction that appeals to
readers from age 11
to 99+! Guidelines:
zizzlelit.com. Before
submitting, listen to
some of our stories.
Subscribe to Zizzle’s
newsletter at http://bit
.ly/2IamVqX to enjoy
free access to our first
CALL FOR: MAGAZINES
Classif ieds
JULY AUGUST 2019 108
Residential Writing Fel lowships at Washington College
The Starr Center for the Study of the American Experience
invites applications for its residential writing fellowship,
which supports outstanding writing on American history
and culture by both scholars and non-academic wri ters.
Patrick Henry Writing Fel lowship
This nine-month fellowship(during the 2020-2021 academic
year), includes a $45,000 stipend, health benefits, faculty
privileges, a book allowance, and residency in a restoredcir
ca1735 house in historic Chestertown, MD. Applications from
published writers and established scholars are welcome.
DEADLINE FOR APPLICATIONS IS NOVEMBER 1.
For more information and application instructions, visit starrcenter.washcoll.edu.
New from the Center for Literary Publishing
& University Press of Colorado
http://www.upcolorado.com
The Mountain West Poetry Series
Furthest Ecology, by Adam Fagin
“To read Furthest Ecology is to be given the
opportunity to immerse ourselves in a work that
can offer immediate value to all of us who realize
we are always choosing, in our own lives, what
insights we will allow ourselves to see, even if
those insights may shake or even shatter the
foundations of our fixed identities.”
—rusty morrison