JIM HENSON
The Best Jim Henson Creatures
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10
THE GRAND
HIGH WITCH
THE WITCHES
Casting Anjelica Huston as The Grand High
Witch in the Roald Dahl adaptation was
enough to make the character scary, but the
Jim Henson Creature Shop went one step
further when it created the real faces of the
film’s witches – and in the utterly nightmarish
scene in which she, and the other witches, are
all transformed into mice. The Creature Shop’s
half-transformed puppets are truly horrific.
NIGHTMARE FACTOR
The Roald Dahl scare factor is present
and correct.
13
SKEKSIS
THE DARK CRYSTAL
With their hulking figures and high-pitched
cackles, the Skeksis haunted the dreams of
every young child who watched The Dark
Crystal. The Skeksis puppets are huge, full-
body creations that required six puppeteers
- two operating it from inside, and four
external puppeteers handling limbs and other
elements. The Skeksis also originally didn’t
speak English, but instead spoke a made-up
language. Test audiences hated it, though, so
the Skeksis were dubbed into English.
NIGHTMARE FACTOR
Terrifying, but so OTT as to be a little funny.
11
VOGONS
THE HITCHHIKER’S GUIDE
TO THE GALAXY
Jim Henson and Douglas Adams had
discussed working together, so it was only
fitting that the Creature Shop provided the
film’s adaptations’s creatures. The Shop made
the Marvin the Paranoid Android costume, but
the Vogons are the real scene-stealers.
NIGHTMARE FACTOR
We wouldn’t even mind if they read their
poetry to us.
12
THE GHOST OF
CHRISTMAS YET
TO COME
THE MUPPET CHRISTMAS CAROL
The Ghost Of Christmas Yet To Come doesn’t
even seem like a puppet – just a tall guy in
robes. Yet he brings with him such an air
of dread that it’s only in adulthood that you
realise what an effective puppet he is. It’s the
lack of a face that makes him really scary.
NIGHTMARE FACTOR
BRING BACK THE GHOST OF CHRISTMAS
PRESENT, HE WAS LOVELY.
HUSTON’S
PROSTHETICS
TOOK SEVEN
HOURS TO APPLY,
AND FIVE HOURS
TO REMOVE.
THE CREATURE
SHOP HAD TO FIGURE
OUT A WAY FOR THE
MAJORITY OF THE
PUPPET’S WEIGHT TO
BE CARRIED ON THE
PERFORMER’S HIPS.
14
THE WILD
THINGS
WHERE THE WILD
THINGS ARE
The Creature Shop refined the
designs for the Wild Things, then
figured out how to build them as life-
sized puppets. They weighed around
150 pounds and were operated by
a single performer inside each suit.
Rather than giving them animatronic
heads, the Wild Things’ facial
expressions were added in CG. The
suits were so hot that performers
would occasionally pass out, but
the suit was too heavy to fall over
so it would take the crew a while to
notice. Quite how such cumbersome
creatures looked so energetic on
screen is frankly mind-blowing.
Nightmare factor
Cuddles please.