Discover 4

(Rick Simeone) #1
April 2018^ DISCOVER^37

PRIMARY COLOR
Not everyone in the field is as enthusiastic about
a functional interpretation of ochre. Notably,
Brooks says, while ochre may have had practical
applications, they were likely secondary to the
material’s symbolic use.
“There are a whole lot of other things ochre is


used for ... but that doesn’t take away from the
fact that it is extremely visible from a distance,” she
says. Sure it works for gluing together arrowheads,
“but quartz sand is found all over South Africa
and is a better adhesive; it forms a better bond.
If they’re making glue with red ochre, it’s
because it’s red.”
Hodgskiss strikes a middle ground as she
imagines how human ancestors might have begun
using the material: “You’re walking through the
landscape, and you see a beautiful red or yellow or
purple stone, and you realize you can grind it and
get a really nice powder from it. I think the initial
attraction was the color. The awareness of its other
uses came gradually, over time.”
And humans appear to have adapted those uses
to their needs. At Middle Stone Age sites in South
Africa, where ochre use was already complex
about 100,000 years ago, different types of ochre
were rubbed, ground or crumbled depending on

Clockwise from
far left: Ochre was
used to create these
50,000-year-old
aboriginal Gwion
Gwion rock paintings
in western Australia.
Himba women still
apply ochre to their
hair in northwestern
Namibia. They also
grind the pigment
to use it for perfume
plant balm. A young
Maasai girl sports an
ochre-enhanced look.
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