The Boston Globe - 31.07.2019

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WEDNESDAY, JULY 31, 2019 The Boston Globe C11


Obituaries


By Martin Weil
WASHINGTON POST
WASHINGTON — John
Robert Schrieffer, one of three
Americans who shared the No-
bel Prize in physics for their
theory explaining superconduc-
tivity, a near-miraculous pro-
cess in which electric current
flows without resistance, died
July 27 at a nursing facility in
Tallahassee, Fla. He was 88.
Family members confirmed
his death to the Associated
Press but did not give a precise
cause.
Superconductivity, in addi-
tion to being one of nature’s
puzzles, also offered great
promise to daily life when Dr.
Schrieffer began his research in
the late 1950s. It allowed the
large-scale transmission and
application of electric currents
without the costs incurred in
propelling electrons against re-
sistance, even in conducting
materials.
Electromagnets depend on
the creation of powerful electri-


cal currents. Much modern
equipment that requires strong
magnetic fields, which are in-
duced by electrical currents, re-
lies on superconducting tech-
nology. Even copper wire, one
of the best known conventional
conductors, can overheat with
excessive current, constraining
the amount of current it can
carry.
Many electrical devices used
in medicine and other fields
can employ extremely high cur-
rents, by use of equipment
cooled to temperatures at
which superconductivity sets
in.
Among physicists, the theo-
ry that accounted for the mys-
teries of superconductivity be-
came known as the BCS theory,
for its three creators: John
Bardeen, Leon Neil Cooper, and
Dr. Schrieffer. They shared the
Nobel in 1972.
When the theory was devel-
oped in 1957, Dr. Schrieffer was
working on his dissertation at
the University of Illinois under

Bardeen, who had received a
Nobel Prize the previous year as
an inventor of the transistor.
Bardeen also enlisted Cooper,
who had just received his PhD
and was working at the Insti-
tute for Advanced Study in
Princeton, N.J.
Although the phenomenon
of superconductivity had been
long known, it continued to
mystify scientists. A key ques-
tion involved how and why ma-
terials suddenly transitioned
fromstandardconductorsto
superconductors.
Cooper made a major contri-
bution involving the coupling
of electrons into what are now
known as Cooper pairs.
In an account prepared by
the American Physical Society,
an important idea came to Dr.
Schrieffer while riding the New
York City subway to a physics
meeting early in 1957. He real-
ized that all the Cooper pairs in
a superconductor could be de-
scribed by just one of the ‘‘wave
functions’’ that characterize

quantum mechanics. (Wave
functions are essentially mathe-
matical expressions of the idea
that matter can exist as both
waves and particles.)
The three protagonists of
BCS then blended all of their
ideas, creating a complete theo-
ry. ‘‘Well,’’ the usually taciturn
Bardeen was said to have de-
clared, ‘‘I think we’ve explained
superconductivity.’’
Their work was submitted
for publication to the Physical
Review, where it appeared in
December 1957 under the
straightforward title ‘‘Theory of
Superconductivity.’’
John Robert Schrieffer was
born in Oak Park, Ill., on May
31, 1931. While he was a boy,
the family moved to Manhas-
set, a Long Island suburb of
New York, and then to Eustis,
Fla., where his father entered
the citrus business.
Dr. Schrieffer explored sci-
ence through work with rockets
and ham radio, and entered
MIT to study electrical engi-

neering. After two years, he
switched to physics, graduating
in 1953. He received his doctor-
ate from Illinois in 1957 and
worked overseas as a researcher
at the University of Birming-
ham in England and the Niels
Bohr Institute in Copenhagen.
He taught at the University
of Chicago, University of Illi-
nois, and University of Pennsyl-
vania, and in 1980 joined the
University of California at San-
ta Barbara, where he was direc-
tor of the Institute for Theoreti-
cal Physics.
Twelve years later, he moved
to Florida State University,
where he was chief scientist at
the National High Magnetic
Field Laboratory before retiring
in 2006.
In 1960, he married Anne
Grete Thomsen, whom he met
in Denmark when she was 14
and he was 24, according to the
Tallahassee Democrat. Her fa-
ther reportedly forbade them to
date until she was 18, when
they married. They had three

children, and she died in 2013.
A complete list of survivors was
not immediately available.
A tragic incident shadowed
Dr. Schrieffer’s later life, one
that his friends found bewilder-
ing and difficult to compre-
hend.
On Sept. 24, 2004, while
driving his Mercedes-Benz from
San Francisco to Santa Barbara,
Schrieffer slammed into the
rear of a van at more than 100
miles per hour. One of the van’s
passengers was thrown and
killed, and seven others were
injured. One of the passengers
died a month later. (In a civil
suit, attorneys contended that
his death was caused by the
crash.)
Dr. Schrieffer had nine prior
speeding tickets and was driv-
ing with a suspended Florida li-
cense. He offered a tearful apol-
ogy in the courtroom, pleaded
no contest to a charge of vehic-
ular manslaughter, and was
sentenced to two years in pris-
on.

Dr.JohnRobertSchrieffer,88;sharedphysicsNobelforworkonsuperconductivity


By Sam Roberts
NEW YORK TIMES
NEW YORK — In the late
1950s, just as the doll Barbie
was making her debut as a
teenager with unrealistic physi-
cal dimensions, Neil Estern in-
vented Patti Playpal.
Where Barbie stood less
than a foot tall, Patti, measur-
ing 36 inches head to toe, was
life-size, as far as a 3-year-old
was concerned. And unlike Bar-
bie, an idealized plastic figure
of young female beauty, Patti
looked like most any toddler
girl — an all-vinyl companion
who could share real clothing
and imaginary adventures with
a human playmate.
The Playpal line proved
enormously popular; today col-
lectors buy them for hundreds
of dollars and even more.
Within a few years, Mr. Es-
tern had turned from toymaker
to full-time professional sculp-
tor of monumental works,
working out of a studio in
Brooklyn Heights. But as he did
so, he maintained his commit-
ment to verisimilitude, whether
depicting a charismatic Presi-
dent Franklin D. Roosevelt or
an effervescent Mayor Fiorello
H. La Guardia of New York, his
impetuosity in full flower.
Mr. Estern, who created
sculptures of some of the na-
tion’s leading public figures,
works that can be seen today in
major cities, died on July 11 in
Sharon, Conn., not far from
where he lived in West Corn-
wall. He was 93. His daughter,
Victoria Estern Jadow, said the
cause was renal failure.
Twice president of the Na-
tional Sculpture Society, Mr. Es-
tern rejected the cultural snob-
bery of colleagues who suggest-
ed that art couldn’t be very
good if it was understandable
to the average museumgoer.
“Art wasn’t meant to be a
mystery,” he told The New York
Times in 1996.
His other public works,
mostly cast in bronze, include
sculptures of Eleanor
Roosevelt, at the National Ca-
thedral in Washington; Freder-
ick Law Olmsted and Calvert
Vaux, installed in one of their
creations, Prospect Park in
Brooklyn; Irving Berlin, at the
Music Box Theater in Manhat-


tan and at the National Portrait
Gallery in Washington; and
Senator Claude Pepper, at the
Pepper Museum in Tallahassee,
Fla.
Mr. Estern also created the
bronze bust of John F. Kennedy
in Grand Army Plaza in Brook-
lyn; several busts of public fig-
ures, President Carter among
them, that appeared on the cov-
er of Time magazine; and the
composition “Expulsion From
Paradise” at the Brooklyn Mu-
seum.
Probably his best known
work is his 8-foot-11 figure of
President Roosevelt, found in
one of four outdoor rooms at
the Franklin Delano Roosevelt
Memorial in West Potomac
Park in Washington.
Roosevelt, who lost the use
of his legs to polio, is seated in a
chair, like the one with tiny
wheels that he used at his Hud-
son Valley home in Hyde Park,
N.Y. His Navy cape covers one
leg and his floppy trousers the
other, suggesting a withered
limb beneath. Mr. Estern de-
picted him as a wartime presi-
dent unhobbled by his disabili-
ty but close to death.
“My sharpest, clearest mem-
ory of FDR,” Mr. Estern once
said, “is a man in a cape, toward
the end of his life, at once vul-
nerable and yet strong, in fail-
ing health and at the same time
the hero.”
He worked on the Roosevelt
project for more than a decade.
It also includes a separate stat-
ue of Eleanor Roosevelt and an-
other of the president’s beloved
Scottish terrier, Fala.
Diane Smook, a photogra-
pher, documented the creation
of the Roosevelt sculptures for a
book by Kelli Peduzzi, “Shaping
a President: Sculpting for the
Roosevelt Memorial” (1997).
“In each stage of creation, I
was struck by the forceful
personae emerging out of inert
substances,” Smook said in a
statement after Mr. Estern’s
death. She said the completed
sculpture captured “both the
president’s forceful personality
andthehumanfrailtieshe
strove to keep hidden.”
The memorial was dedicat-
ed by President Clinton in


  1. Its other rooms hold
    sculptures by Leonard Baskin,


Robert Graham, Thomas Har-
dy, and George Segal.
The La Guardia sculpture,
inspired by a stem-winding
speech that the mayor delivered
at Mr. Estern’s high school
graduation, portrays La Guar-
dia in mid-stride, mouth open
and gesticulating vigorously.
The bronze statue was based
on a plaster model by Mr. Es-
tern for a commission years
earlier by the Port Authority of
New York and New Jersey for
LaGuardia Airport. Funds ran
out, and the airport statue was
never realized.
Some Greenwich Village res-
idents preferred a more states-
manlike version of La Guardia
created by a local resident, John
Bennett. But Mr. Estern’s model
was embraced by the communi-
ty board and the city’s Art Com-
mission and dedicated in 1994
on the east side of La Guardia
Place.
Neil Carl Estern was born on
April 18, 1926, in Brooklyn to
Marc J. and Molly (Sylbert) Es-
tern. His father, a son of Jewish
parents from Russia, had emi-
grated from Turkey, where he
had made and repaired string
musical instruments in Con-
stantinople. The elder Estern,
who spoke nine languages, be-
came a labor mediator in the
toy industry. Neil Estern’s
mother was of Austrian descent
and born in the United States.
Raised in Flatbush, Neil was
only 6 when he molded his first
clay creations from a lump that
his father had brought home to
distract him while the boy was
confined to bed during a brief
illness.
He earned a Bachelor of Fine
Arts and a Bachelor of Science
degree in education in 1948
from the Tyler School of Fine
Arts (now the Tyler School of
Art and Architecture), which is
based at Temple University in
Philadelphia. He also studied at
the Barnes Foundation in Phila-
delphia and in Pietrasanta, Ita-
ly.
In 1948, he married Anne
Graham, who survives him. In
addition to their daughter, he is
also survived by two sons, Peter
and Evan; and three grandchil-
dren.
Mr. Estern found early suc-
cess designing dolls; the Patti

Playpal line, for which his wife
assembled the wardrobe, was
created for the Ideal toy compa-
ny. But he longed to see the
great monuments of Florence
and Rome that he had studied
in art history classes.
“After graduation, I began to
make dolls and quickly rose to
the top of that field,” he said in
2004 in an interview with the
National Sculpture Society to
be published this summer in
Sculpture Review. “That sup-
ported my sculpture and en-
abled me to go to Italy.”
He received his first public
commission in 1965, he re-
called, after the Kennedy family

had declined an offer by the
Brooklyn borough president to
install an eternal flame in hon-
or of the assassinated President
Kennedy. The family decided
that one such flame, at Arling-
ton National Cemetery, was
enough.
Instead, Brooklyn officials
selected Mr. Estern’s design for
a bronze portrait bust of Kenne-
dy on an oblong marble plinth,
which now stands in a circular
court in Grand Army Plaza.
While he strove for realism,
Mr. Estern acknowledged that
his work was also influenced to
a “subtle, unconscious” degree
by his personal feelings about

the subject.
When Life magazine com-
missioned him to illustrate a
cover story in 1971 about J. Ed-
gar Hoover by Tom Wicker of
The Times, titled “The Emperor
of the FBI,” Mr. Estern repre-
sented Hoover as a Roman po-
tentate carved in marble.
“It was a caricature and em-
phasized a bit of what I thought
was his evil side,” Mr. Estern
said. “There are some innate el-
ements, some vibrations that
person is sending out that I ab-
sorb and want to get into the
sculpture. Something below the
surface is going to make that
piece of sculpture unique.”

NeilEstern,93;toymakerbecame


sculptorofprominentpublicartworks


TED THAI/THE LIFE IMAGES COLLECTION VIA GETTY IMAGES
Mr. Estern, with models of his statues of Franklin and Eleanor Roosevelt.

By Dave Skretta
ASSOCIATED PRESS
LAWRENCE, Kan. — Max
Falkenstien, the affable and
silver-tongued ‘‘Voice of the
Jayhawks’’ who brought Kan-
sas football and basketball into
the homes of fans for six de-
cades, died Monday. He was
95.
The school announced his
death in a statement.
Mr. Falkenstien did his first
broadcast of a Kansas basket-
ball game during the 1946
NCAA Tournament in Kansas
City, where the Jayhawks
played Oklahoma A&M. He
took over as the play-by-play
voice the following spring and


would hold the job for 39 years
before switching to the com-
mentator’s role in 1984.
He retired from Jayhawk
Radio Network broadcasts af-
ter the 2005-06 basketball sea-
son.
‘‘I’ve known Max since
1985, and back then, even be-
ing young in the profession, I
quickly realized that Max was
as big a part of the great histo-
ry of KU basketball and foot-
ball as the players and coaches
were,’’ Jayhawks basketball
coach Bill Self said. ‘‘He was an
absolute joy to be around, and
he will be remembered as an
absolute treasure. He was
loved by everyone.’’

Mr. Falkenstien was a bank-
er by trade, retiring from the
Douglas County Bank in Law-
rence in 1994. But his passion
was broadcasting the Jay-
hawks, and fans across the
country simply adored him.
He’s the only non-player to
have a jersey — No. 60 — hang-
ing in the rafters of Allen
Fieldhouse.
‘‘He was one of a kind,’’ said
former basketball coach Larry
Brown, who guided the Jay-
hawks to the 1988 national ti-
tle. ‘‘When I got the job at Kan-
sas, coach (Dean) Smith told
me about all the great people
at KU, the love they had for the
school and for basketball.

When you talk about those
great people, and everyone
connected with all that tradi-
tion, Max is one of the first
people you think about.’’
Mr. Falkenstien, whose fa-
ther worked for Kansas Athlet-
ics for 33 years, was born and
raised in Lawrence and enlist-
ed in the Army Air Corps after
high school. He earned a
mathematics degree from Kan-
sas in 1948, a full two years af-
ter he was on the microphone
for his first basketball game.
Mr. Falkenstien also did TV
play-by-play commentary for
the Big Eight’s basketball
game of the week in the 1960s
and ‘70s, and for three decades

he hosted football and basket-
ball coaches’ shows for every-
one from Pepper Rodgers and
Mike Gottfried to Ted Owens
and Roy Williams.
‘‘Just the mention of his
name will always make me
smile,’’ Williams said.
His last football broadcast
came in 2005, the Jayhawks’
win over Houston in the Fort
Worth Bowl, and his final bas-
ketball broadcast came on
March 17, 2006, when Bradley
upset Kansas in the first round
of the NCAA Tournament.
Over those 60 years, Mr. Falk-
enstien’s downhome voice
broadcast games featuring the
likes of Gale Sayers and John

Riggins, Wilt Chamberlain and
Danny Manning.
Mr. Falkenstien continued
to sit courtside for home bas-
ketball games for many more
years.
‘‘His personal touch made
every fan, player, coach, and
administrator feel like they
were part of the KU family,’’
Self said. ‘‘I hope Max realized
the positive impact he had on
KU and everyone connected
with it. He’ll be missed but his
legacy will never be forgotten.’’
Mr. Falkenstien leaves his
wife of 70 years, Isobel, a son,
Kurt, a daughter, Jane, three
grandchildren, and five great-
grandchildren.

MaxFalkenstien,95,radiobroadcasterand‘VoiceoftheJayhawks’for60years

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