FX – August 2019

(Nancy Kaufman) #1

078 LIGHT + TECH


Winners of the 36th IALD
International Lighting Design Awards

Award / Project
Radiance
Kimpton Fitzroy

Excellence
Antwerp’s
Cathedral and
immediate
surroundings
Excellence
Bloomberg
European
headquarters
Excellence
Emerson
College student
dining centre
Excellence
A family of
bridges for the
town of
Riedlingen
Excellence
Gasholders
London
Excellence
Gateway Arch
Museum
Excellence
London
Mithraeum
Excellence
Lounge Bridge
in Shimen
Village
Excellence
Meixi Urban
Helix
Excellence
MT Fuji Heritage
Centre
Merit
Amaranthyne
Merit
Amorepacific
Headquarters
Merit
BPX Energy
Merit
Centro Botín
Merit
CF Toronto
Eaton Centre
Bridge
Merit
Exhibition Halls
and Workshops
of Rice Barns
Merit
KU Medical
Center Health
Education
Building
Merit
Raku
Merit
Rothy’s at
Fillmore
Merit
Scottish
Parliament
Debating
Chamber
Merit
Stovnertårnet
(The Stovner
Tower)
Merit
Washington/
Wabash
Elevated Train
Station

Lighting designer / Location
Ben Ferris, Lighting Design
International
London, UK
Susanna Antico, Susanna Antico
Lighting Design Studio
Antwerp, Belgium

Suzan Tillotson,
Tillotson Design Associates
London, UK

Francesca Bettridge, IALD, Cline
Bettridge Bernstein Lighting Design
Boston, USA

Christiane Sander, schlaich
bergermann partner
Riedlingen, Germany

Mark Major, FIALD, Speirs + Major
London, UK

Suzan Tillotson, IALD,
Tillotson Design Associates
St Louis, USA
Suzan Tillotson, IALD,
Tillotson Design Associates
London, UK
Xin Zhang School of Architecture,
Tsinghua University, One Lighting
Associates (Beijing)
Songyang of Lishui, Zhejiang, China
Jean Sundin
Office for Visual Interaction
Changsha, China
Kaoru Mende, Lighting Planners
Associates
Fujinomiya-Shi, Shizuoka-ken, Japan
Michael O’Donovan Haberdashery
London, UK
Alexander Rotsch
Arup Deutschland
Seoul, South Korea
Rachel Fitzgerald, IALD, Stantec
Denver, USA
Maurici Gines, artec3 Studio
Santander, Spain
Keith Bradshaw, (Concept by)
Speirs + Major
Toronto, Canada

Xin Zhang, School of Architecture,
Tsinghua University, One Lighting
Associates (Beijing)
Wuzhen, Zhejiang, China
Mark Hershman,
Henderson Engineers
Kansas City, USA

Donn Salisbury, Electrolight
Canberra, Australia
Claudio Ramos, Electrolight
San Francisco, USA

Kevan Shaw, FIALD, KSLD | EFLA
Lighting Design
Edinburgh, UK

Morten Jensen, ÅF Lighting
Oslo, Norway

Aram Ebben, EXP
Chicago, USA

The 19th-century Kimpton Fitzroy hotel in
Bloomsbury was designed by Charles
Fitzroy Doll (who subsequently designed
the Titanic’s dining room) in 1898. One of
London’s grand old establishments, it has
undergone an £85m facelift that has
included literally bringing its typically
intricate and ornate Victorian facade –
thé-au-lait terracotta – to light.
The scheme is nuanced and restrained,
revealing key details and creating a careful
symmetry. The elaborate architecture is
used to conceal a combination of low- and
high-output fittings that balance the
intensity across the entire building. These
effects were considered both from the
perspective of the entire building as well
as on each individual level, creating linear
compositions of light.
From the two towers that frame the
main entrance to the many columns, the
building features multiple tall elements
throughout. For the ground level columns
10W 10-degree uplights are used, while
the first floor balconies are uplit by 7W
10-degree fittings. The turquoise turrets

and corner domes are washed by 10W
nine-degree and 59-degree linear grazers
to throw light upwards.
‘The design features heavy shadowing
against the tiling, adding drama for
street-level viewers as well as viewers
further away in the square,’ says Ben Ferris
of Lighting Design International.
Lighting effects are repeated across
levels in part because of the limited viewing
angles due to the trees and other buildings
in Russell Square. These frame each facade,
illuminating the structural lines of the
building. To strengthen the frame of the
building, each window reveal includes 1.7W
12-degree highlighters aimed at the corners
of the building and positioned to ensure
they do not spill into any guestrooms.
Acknowledging the historic nature of
the building, detail lighting emphasises
the column details, coats of arms, shields,
door reveals and the four British queens
guarding the entrance. ‘The combination
of strategically placed uplights and
highlights creates dramatic shadows and
points of interest,’ says Ferris.

KIMPTON FITZROY, LONDON


LIGHTING DESIGN Lighting Design International

AWARD Radiance Award

PROJECT INFO
Client Covivio/IHG
Architect EPR Architects
Main contractor S&T
Electrical contractor LJJ

JUDGES’ VERDICTS
‘A restrained elegance.’
‘How an intimidating building
can be ‘made beautiful and
simple with thoughtful
considerations.’

‘It is about lighting the key
elements and selecting
elements that they do not
illuminate as well, providing
beautiful layerings of light.’

GAVRIIL PAPADIOTIS
Free download pdf