Stereophile – August 2019

(Elle) #1

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  1. Driven by MSB’s new M500
    monoblock power amplifiers
    ($118,500/pair, probably available in
    August), which output 1000W into
    4 ohms with zero global negative
    feedback, these Magico M6 speakers
    delivered all of Sonny Rollins’s smooth,
    warm, sophisticated elegance, Jason
    observed. The front end was the MSB
    Select DAC with Femto 33 Clock and
    Mono Power Bases ($116,000 total),
    Select transport with Select Power
    Base ($41,000). Cabling was by
    Analysis Plus.

  2. “I’m sitting in the Alluxity room
    next to Joseph Audio’s Jeff Joseph and
    wondering how his new graphene-
    cone Perspective2 loudspeakers
    ($14,999/pair) can sound so big and
    solid and transparent when they’re so
    far apart,” Herb Reichert wrote. “I’m
    looking for the hole in the middle, or
    at least a fuzzy-creamy center, but I
    can’t find it. All I can ‘see’ are the solid,
    accurately described voices of singers
    like Ella and Elvis. I turn to Jeff and
    say, ‘Something’s wrong here: This
    sounds too good to
    be true.’ He laughs
    and points to a sign
    to his right: Every-
    thing you hear its true.”
    This big, beautiful
    sound was fa-
    cilitated by a vintage
    Technics SL1500
    reel-to-reel recorder
    with a Doshi Audio
    tape preamp and
    some burnt-orange
    Alluxity electronics:
    the Pre Two with
    relay-based volume
    control (€9850), and


two Mono One amplifiers (€20,000/
pair). Cables were by Purist Audio.


  1. To end at the beginning: Herb
    arrived early for the show and got
    inside Munich’s MOC the day before
    it opened. He took this photo of
    preparations underway before advising
    hi-fi skeptics—those who think our
    hobby is dying—that they need to get
    out more.
    “Honestly,” he wrote. “Were you to
    visit Munich today and experience just
    the crazy amount of High End 2019
    signage—it’s in the airport, and along the
    highway, and in the cabs!—you would
    realize that this is truly the Greatest
    (audio) Show on Earth. This is the
    global crossroads of amps and speakers
    and DACs and turntables—the major-
    ity of which would probably be new to
    you, had you never been here before.
    High End Munich isn’t just bigger than
    RMAF or AXPONA—it’s spectacu-
    larly huge—and it isn’t just more of the
    same: It’s completely different. Munich
    High End is an immersive education in
    global audio culture.” n

  2. The Absolare Passion
    integrated amplifier ($26,500),
    ReQuest The Raptor Plus music
    server (1TB version with DAC
    that handles PCM up to 32/384,
    and DSD up to 256: $15,900),
    Rockport Atria speakers
    ($21,500/pair), Echole Limited
    Edition Power Center power
    conditioner ($20,000), and new
    Echole Infinity cabling ($TBD)
    produced “wonderful, truly mu-
    sical warmth and clarity,” Jason
    wrote in his listening diary. “On mul-
    tiple tracks, starting with ‘Love Man
    Riding’ from Philipp Fankhauser, I
    was simply and totally seduced by this
    system’s warm and inviting sound.”

  3. Jason was impressed with
    Apertura’s new flagship speaker,
    the Enigma MKII (€23,000/pair in
    standard finish, seen here). A two-
    way design with ribbon tweeter, a
    frequency range of 30-30,000Hz,
    ±3dB, and impedance of 4 ohms,
    the speaker made lovely music in a
    system that also included electronics
    by CH Precision and prototype Grand
    Prix Monza amp stands ($6350 each).
    Connections were made by Kimber
    Kable and Crystal Cable.

  4. Marten unveiled its new Mingus
    Orchestra four-way loudspeaker
    (€185,000/pair), which uses the same
    drivers and crossover as their top-of-
    the-line Supreme 2 (€450,000/pair)
    but with fewer bass drivers and a less
    expensive cabinet. Jason thought the
    new Marten sounded superb.
    This room deserves a prize for its
    innovative programming, featuring big
    band music from Nelson Riddle and
    Harry James. Charles Mackerras’s re-
    cording of Schubert’s Ninth Symphony
    totally filled the space but lacked the
    last little bit of air and pliability.
    Marten’s Mingus Orchestra stands
    more than 67" off the floor and has a
    sensitivity of 89dB, impedance of 6
    ohms, and weight of 288lb. Also in
    the system: Jorma Statement cabling
    (€120,000 total); CH Precision’s D1
    Drive, C1 DAC, L1 analog preamp,
    P1 phono preamp, and M1.1 mono
    amps; and the SAT XD1 Record
    Player System.


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