AutoItalia – August 2019

(Michael S) #1

58 auto italia


mission creep in terms of size and ambition.
Giacosa also feared it would be a distraction
when more important new models (like the
124) needed to be brought to market.
Italy's economic miracle was already
showing signs of running out of steam in
1963, when initial thoughts of a successor to

the Fiat 2300 were mooted. The 2300 was a
good car but not a great one; a product of
mid-1950s thinking, it was neither fast nor
refined enough to go head-to-head with the
best Mercedes had to offer.
By 1966, the 130’s basic outline had been
established: quad headlights set in an
assertively angled nose, and a Mercedes-like
'greenhouse' with deep windows for good all-
round vision. Aurelio Lampredi was charged
with creating the V6 engine, a task well
within his capabilities as a former Ferrari
engine designer. He found himself creating

Lancia Flaminia and Alfa Romeo 2600. The
big Lancia's formal dignity was a template
for the character of the 130, and one could
argue that the Fiat was a kind of
rationalised Flaminia. Indeed, had its
creators been able to anticipate Fiat’s
November 1969 takeover of Lancia, then


perhaps the 130 would have emerged as a
worthy Lancia-badged Flaminia successor.
When the 130 was born, Dante Giacosa
was on the verge of retirement from Fiat
after 40 years of service. His influence at
Fiat was akin to that of Issigonis at BMC, and
like the designer of the Mini, he had little
interest in large cars, preferring clever small
ones with mass appeal, where the
restrictions of size and budget tested the
ingenuity of his team. Thus, he harboured
grave concerns about the success of the
130, and the project certainly suffered


the 130's new 2.8-litre 60-degree V6 at the
same time as the iron block 2.4-litre 65-
degree V6 for the Dino 246 GT and Fiat Dino.
That Lampredi designed both is the only
common factor between the two units, yet
the misconception that the 130 has a Ferrari
engine follows it to this day.

The brief for the engine design was that it
had to be a refined and sophisticated short-
stroke unit with no unnecessary
complication: no Dino-like quad camshafts
but just a single cam on each bank, driven by
a toothed rubber belt. Softly tuned on its
8.3:1 compression ratio, this was no sports
car engine but an Italian interpretation of a
Cadillac or Rolls-Royce power unit. It was
naturally paired with an automatic gearbox,
making the 130 the first Fiat – indeed the
first Italian car of any description – to be
designed around one. For traditionalists,


Had the 130’s creators anticipated Fiat’s 1969 takeover of Lancia, it


would perhaps have emerged as a worthy successor to the Flaminia
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