Christensen’s ‘Bloid’ chair is the result
of research into ergonomics, geometry and
materiality. The designer focused on 3D
knitting production techniques, creating
two knitted membranes on a metal frame.
Would most like to have worked with:
Ray and Charles Eames. christianjuhl.comCHRISTIAN JUHL
CHRISTENSEN
KADK, Denmark01
When tasked with creating a design
based on connections between people
and objects, Dewulf developed an elegant
capsule collection that focuses on storage
and tidiness. Would most like to work
with: Muller Van Severen. liesa.dewulf.
[email protected]A sustainable version of the office chair,
the ‘Gandia’ uses rattan as an alternative
to engineered plastics and mechanisms.
Rattan’s flexible qualities allow users to
move and stretch, offering a more intimate
dimension. Would most like to work
with: Viccarbe, Kettal. andreamestre.comPane’s work, like this table and bench,
celebrates the tradition of wood marquetry
through contemporary patterns. Using
plywood and CNC cutting, Pane devised
a modern method for an ancient technique.
Would most like to work with: Ikea, Hay,
Menu, &Tradition, Vitra. ditapane.comWang’s ‘Take Me Away’ series, featuring
this lamp, as well as a table and chair (not
pictured), is designed to create a serene
corner, triggering a conversation with
one’s dreams and memories. Would most
like to work with: Michael Anastassiades.
ruoxiwangdesign.com‘Piggo’ is a collection of modular seating
designed for children’s clinic waiting rooms.
Dagan imagined a new type of interaction
between children and parents, creating
an intimate, reassuring waiting area. Would
most like to work with: MSDS Studio.
[email protected]LIESA DEWULF
School of Arts at University
College Ghent, Belgium02
ANDREA MESTRE
Royal College of Art,
UKDITA PANE 05
Design Academy Eindhoven,
Netherlands04
RUOXI WANG
Art Center College of Design,
USA03
MOR DAGAN
Bezalel Academy of Arts and Design,
Israel06
096 ∑
010204030506