Woolworths_Taste__January_2019

(Nancy Kaufman) #1
PHOTOGRAPH

JAN RAS

AND

JAKUB VANEK

30 TASTE JAN/FEB 2019


TAKE YOUR


BEST SHOT


Serious contender or Insta


wannabe? These are our tips


for taking better food photos


“Always start with the simplest layout
possible and add garnishes and other
elements with each shot. It’s much easier
toaddthantotakeaway,especiallywhen
things are prone to melting or mixing.”
–HannahLewry,TASTEfoodeditor

In your tool box:



  • Prestik and toothpicks:to keep
    round objects in place.

  • Aspraybottlefilledwithwater:
    to keep ingredients fresh and beautiful.

  • Ablowtorch:to make chocolate
    glossyandchartheedgesofveggies.

  • Metal skewers:to make griddle
    marks on meat.

  • Surgical gloves:to avoid leaving
    fingerprints on chocolate.

  • Eucalyptus oil:to remove stickers
    from packaging.

  • Pins:to prevent chicken skin from
    shrinkingwhencooking–justmake
    sureyoucounthowmanyyouuse
    andremovethemallbeforeserving!

  • Syringe: to add or remove liquid.


The styling:
“Bebraveandnatural.Ifyouwanttoget
intotheindustry,findaphotographer’s
assistant – someone else starting out –
andplaywithaffordabledishesliketoasted
cheese, so that you can learn and build
upaportfolio.Andalwayshaveabowl
oficedwaternexttoyoutorefreshthe
dish.Ineverputdryherbsonaplate,
alwaysdipthemfirst.”– Abigail Donnelly,
TASTE food director


“Always shoot in natural light and with
the freshest, most deliciously vibrant
produce you can find.”– Jacqueline Burgess,
TASTE multimedia food stylist



  • Paintbrushes:to paint vegetable
    oil onto meat.

  • Burn Shield emergency dressings:
    they can make all the difference in a crisis.


The cooking:
“You have to be delicate and careful when
you’recookingthefoodforashoot,
so that it looks beautiful. Everything
must be cooked with love. Being a food
assistant is great because you learn how
tofixrecipeswhentheydon’t work.”
–KateFerreira, food assistant

The props:
“Alwayschoosepropsandbackgrounds
thatwillenhancethefood,notfightwithit.
Lookforplatesthatallowthecolourofyour
dish to pop. Neutrals are always best
when you’re starting out. Avoid using
shiny plates, especially if you’re shooting
using your smartphone.”–BritaduPlessis
ofCheck!MyChina, a prop shop for professional
food stylists in Cape Town

The photograph:
TASTE photographer Jan Ras shares his tips
fortakingbetterphonephotos:
•Wipethecameralens(that blurry look
is probably a fingerprint).
•Holdthe phone as steady as possible.
•Neverusethezoom– rather get closer.
•Sitnexttoawindowtogetthebest
light.At night, or in bad light, don’t use
your phone’s flash. Rather ask a friend to
shine their cellphone’s torch onto the plate
from behind. Use a napkin to diffuse the
lightifit’stooharsh.
•Trydifferentanglesandwaysofframing
a subject. For example, try cropping off
onesideofaplate,centringit,orshooting
it from above.
•SwitchontheHDRsettingif your
phonehasone.HDRstandsfor“high
dynamic range’ and will allow you to work
with a greater range of light and dark (for
example,ifyouwantboththefoodand
theviewoutsidetobevisibleinashot.)


  • Looking for a new phone?Take te s t
    shotsinstoreandcomparetheresults.
    If you’re splashing out, look for a phone
    with multiple lenses, which will allow
    you to play with depth of field (when the
    background goes out of focus). Some new
    top-of-the-range models also have very
    effective night mode functions – great
    for shooting dinners.


TABLE TALK
Free download pdf