In the foreground is Honey, onyx, by
Doug Hyde (Nez Perce/Assiniboine).
Behind it, left to right, are two Tim
Cherry bronzes, River Mates and Otter
Rumba. In the background is Kitty
Cantrell’s glass and lucite A New Day. In
front of it is Theodore T. Gall’s bronze Koi.
Z.S. Liang’s giclée Lakota War Chief.
On the left in the dining room are, top
to bottom, Christopher Blossom’s oil
Afternoon Traffic at the Golden Gate
and John Fawcett’s oil Waiting for a
Clear Shot. Next to them is Morgan
Weistling’s oil portrait of the couple’s
granddaughter, Curious Emily. Next
are, top to bottom, G. Harvey’s oil
Country Showers and Adam Smith’s
oil Powder Run. Directly to the right
of the column are, top to bottom, H.
David Wright’s oil Considering the
Consequences and Martin Grelle’s
oil The Guidon. The large work to
the right is Logan Maxwell Hagege’s
oil Desert Tranquility. Above it is
Denis Milhomme’s oil Arizona Desert.
Below the Hagege is Daniel Keys’ oil
Peach Roses & White Dahlias and
Brittany Weistling’s oil Midsummer
Roses.