World Literature Today – July 01, 2019

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Nota Bene


James Sturm
Off Season
Drawn & Quarterly

Graphic novelist extraordinaire
James Sturm returns with this quiet
but turbulent story of a marriage in
decay, played out against the back-
drop of the 2016 US presidential
election and its aftermath. As atten-
tive to its sense of place as to its
emotionally guarded characters, Off
Season promises an hour of thought-
ful reading accompanied by under-
stated but sturdy visual storytelling.

Takarabe Toriko
Heaven and Hell
Trans. Phyllis Birnbaum
University of Hawai‘i Press

This chilling autobiographical account
of author Takarabe Toriko’s childhood
in the Japanese-established puppet
state of Manchukuo in northeast China
details the haunting brutality and vio-
lence of the times through the eyes of
a precocious young girl. Toriko’s highly
venerated evocations on the nature of
her youth bring poignant authenticity
to the novel’s first movement and heart-
breaking realism to the second.

winning novelist and poet Katherena Ver-
mette. Her poetry spotlights and rejoices
in the multilayered façades of love through
postcolonial action. The opening section of
River Woman defines love as the vigor of
retrieval and repair in occasions of trauma
in every era. In this collection, Vermette
transports her readers into another world
and tries to reveal the secrets of the in-depth
reality of the universe. River Woman show-
cases Vermette’s distinguished and gifted
narrative: a quiet whisper that turns into a
roar; sparse words loaded with meaning.
This compact collection consists of a
series of imagistic poems that are challeng-
ing to comprehend. Vermette’s trope of the
river throughout the collection assembles the
maternal spirit within the verses to enhance
their universality. She repeatedly displays the
image of a river to distinguish the narration
of the poems by amalgamating her per-
sonal experiences and aboriginal history in a
dynamic and versatile technique that reflects
more than just words on the page.
Moreover, River Woman delineates Ver-
mette’s relationship with nature as artisti-
cally portrayed through her elegant style.
Vermette is able to depict the timelessness
of nature along with its beauty, power, and
destructiveness and how it affects the life
and history of mankind. Through her poetic
expressions that demonstrate her ardent
and keen observations of the environment,
the author tries to negotiate the balance
between man-made urban structures and
the natural world.
Thematically, the book
deals with history, cultural
bargaining, heritage, trau-
ma, love, loss, and the poet’s
Métis background along with
the duality and harmony she
feels around these themes.
The first part of this lively
collection contains the poet’s
approach toward emotional-
ly but largely uncontroversial
themed works, while in the
second part Vermette deals
with political aspects. In the


poem “new year’s eve 2013,” she writes:
“they say all people are equal / who cannot
agree / I say I will believe it / when prison
and poverty rates are the same / when thou-
sands of your women disappear / and you
do nothing.”
River Woman is embedded in a vivid
sense of place. Throughout the collection,
the extremes of brokenness and resilience
are grounded metaphorically in the discov-
ery of love and in confronting the wounds
of colonization.
Muhammad Imran
Shanghai Jiao Tong University

Heike Geissler
Seasonal Associate

Trans. Katy Derbyshire. South Pasadena,
California. Semiotext(e). 2018. 240 pages.

Heike Geissler would like to be “a person
who is what she does,” but her writing and
translating work pays too little to buy the
occasional extras for her two sons and her
boyfriend. She therefore took the seasonal
(Christmas) job that she describes here at
an Amazon fulfillment center in Leipzig,
where she spends her days unpacking,
scanning, and stacking things. This is the
epitome of alienation, the complete anti-
thesis to her aspirations.
This alienation is particularly salient to
her, as a German from a country that no lon-
ger exists, because the GDR’s ideals, though
never remotely realized,
still resonate in her. But at
Amazon, “fulfillment” is for
everyone else; the customers’
satisfaction is all that mat-
ters; “associates” are totally
subservient to that Amazon
goal. Coming to work here
has, however, also allowed
her to realize that others with
jobs here like hers, unlike
the managers, have no other
alternative; they’ve been sent
by the employment office

WORLDLIT.ORG 105
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