NO
22
PHOTOS
NINA ZIMOLONG PHOTOGRAPHY
WORDS
AMELIA BROWN
INTO THE LIGHT
Architect Julia Gaiduk was the guiding force behind the striking renovation of
Quoin Rock winery, restaurant and event venue in Stellenbosch.
When the Gaiduk
family bought Quoin
Rock in 2012, the first
order of business
was to focus on the
wines. Denis Gaiduk,
son of the owner
and MD, spent four years working with
a new team to replant vine yards and
modernise the cellar. Eager for the
venue to reflect the elegant wines they
were making, he turned to his wife Julia
for the renovation.
Julia began with the wine lounge,
which doubles as the dining area of the
fine-dining restaurant Gåte, by lifting
black tiles and demolishing walls. Now,
two walls of frameless glass stacking
doors let in an abundance of light and
make the most of the views.
For the egg-shaped wooden bar
counter at the centre of the room, Julia
worked with Pierre Cronje to realise her
design, which includes curved LED light
troughs that reflect how the wine
circulates in the tanks. Pierre Cronje
also created vine archways and chairs.
To instate a theatrical entranceway
befitting a restaurant that offers
a 16-course tasting experience loaded
with molecular-gastronomy surprises,
Julia devised tiered arch ways that
double as a water feature and, at night,
a magical lit-up portal. In the entrance
hall, a large bronze vine by Charles
Haupt of Bronze Age reaches to the
ceiling, symbolically encased in water
to create one composition.
But perhaps the most impressive
archi tectural feat is the trans formation
of a ware house adjacent to the winery
into a 200-person event venue. Julia
connected the buildings with a pergola
- a semi-floating metal I-beam structure
filled with laser-cut panels. The shadow
pattern it casts looks like dappled light
falling through vine leaves. One of the
shed’s brick walls was demolished to
make place for a glass wall of steel
columns and stacking doors.
And for the Venue Hall extension
Julia designed a steel frame structure
that serves to connect the building’s
two parts – brick and steel – and
emphasise its grand proportions.
Columns repeat the frame at different
intervals, giving an otherwise minimalist
entrance a definitive stance. Clad in
tinted glass, the building is absorbed by
the beautiful landscape and becomes
a mirror for it and all the events it will
be witness to.
quoinrock.co.za
visi.co.za JUNE/JULY 2019 168
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