Thenstartersof oysters,musselsandalikreukelservedin
shellswithcharcoalsalt.For mains,hammer-pittedpans
stackedwithFrench-trimmed chops and ribs skewered on
metalspikes.
Theeatingutensils?Porcupinequills,thorn-and-copper-
wireforksandhand-forgedtitaniumandsteelknives.
As Conradsays,“Tools– goodtools– are sacredobjects.
Theyholdthevaluesof oursociety and represent our
culturalachievements.”
For dessert,rose-pelargoniumpannacottawithpulled-
honeycombshardswaspresentedon individualslabsof
agaterock,whilehighpriestessCaroblowtorcheda slab
of Italianmeringuein a forgedcopperplatter.Thepièce
de résistance?A chocolate-truffle-filledfynboschandelier,
loweredslowlyto head height in the centre of the
communaltable.
A fittingendto a memorableprimordialfeast.
Theeventwasthelatestin a seriesof creativecollaborations
betweenSouthernGuildandBMWSouthAfrica,grounded in
acommoncommitment to forward-thinking design.
eatdesign.co.za
conradhicks.com
southernguild.co.za
6.Carocaramelised
Italianmeringue
withConrad’sforge
blowtorch.
7.Theseafoodcourse
includedoyster,mussel,
cevicheandalikreukel.
8.Rose-pelargonium
pannacottawithpulled
honeycomb served on
slicesof crystalagate.
9.Wildmushroomsin
sceletiumoil on wild
rosemaryskewers,
cookedon copperin
theforgefire.
10.Conrad’sArtefact
ChairandToolmaker’s
Server,displayedas
part of his recent solo
exhibitionImplementat
SouthernGuild.
11.Thechocolate-truffle-
filledfynboschandelier.
12.Eachguestreceived
aforgedknifemade
byConrad.
13.Thetabledecor
evokedthethemeof
toolsand food.^6
7 8 9
�ISI REASONS
visi.co.zaAUGUST/SEPTEMBER 2019 156