The proof is certainly in the pudding, as far as we’re concerned.
The designs that mark the exhibition space reflect a growing subset of
the design conscious. Long gone are the days of traditional weave and
crafts that sing of the nineties. Today’s weaves and crafts recall the
aesthetics so favoured by the global market: clean, minimalist, modern
designs that have lost none of the unique identity and flavour of the
Philippines. Here, designers have little issue drawing inspiration from
the handicrafts of their ancestors, and integrating the age-old methods
and art styles into modern-day accessories and furnishings fit for any
aesthetics-driven home.It makes sense, especially
when one considers the role of
Manila FAME in the interior design
landscape of the Philippines. “The
highly-curated show boasts diverse
product offerings that uphold quality
craftsmanship, eco-sustainable
production, and design principles.”
It is this adherence to quality that
serves to pull and draw. After all,
there are high stakes at hand here,
and a big name to maintain. “It is the
benchmark for aspiring designers
who plan to capture the international
stage.”
TOP LEFT
A weaving
demonstration.
ABOVE
Sea urchin
chandelier, from
Cebu Home
Craft.
LEFT
Driftwood room
divider, from
Cebu Home
Craft.