International Artist – June-July 2019

(WallPaper) #1

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WHAT THE ARTIST USED
Surface
» Travertine stone measuring
24 by 16 inches, honed and
filled with chiseled edge
Prismacolor Colored Pencils
» Canary yellow
» Pumpkin orange
» Orange
» Pale vermillion
» Peach
» Light peach
» Rosy beige
» Chocolate
» Dark brown
» Tusc an re d
» Black grape
» French grey 70%
» French grey 90%
» Cool grey 90%
» Slate grey
» Aquamarine
» Indigo blue
» Black
» White
Caran d’Ache Luminance
Colored Pencils
» Cassel earth
» Orange
» Perylene brown
Faber Castell Colored Pencils
» Dark indigo
Materials
and Tools
» Graphite transfer paper
» Dura-Lar Mylar film
» iPoint electric pencil sharpener
» Helix manual pencil sharpener
» Tombo Mono
Sand Eraser 512A
» Sakura electric eraser
» Tenwin electric eraser
» Blair Workable fixative
» Krylon UV Archival Varnish
My Art in the Making
Inner Beauty
STAGE 2 SKETCH
This is the sketch used to transfer the composition to stone using
graphite transfer paper. I am just laying out larger shapes and darkest
values. Details will be applied directly to stone as we move along.
STAGE 1
GATHERING REFERENCES AND MATERIALS
The drawing surface is a piece of 24-by-16-inch travertine stone,
honed and filled with a chiseled edge. I rarely work from a
single reference. In this case, several photos I had taken on a
caving trip were used to create the composition for Inner Beauty.

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