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TOP OF MINDFOREGROUND
IMAGES ©JUDITH PISHNERY
uPassion and creativity may have led you
to a ne art photography project. But once
you’ve poured your heart into the work, how
do you get it seen and sold? Judith Pishnery,
who will deliver the educational session “In-
sider’s Guide to Fine Art Photography” at Im-
aging USA 2020, offers three tips:
- ENTER JURIED COMPETITIONS. Also
participate in portfolio reviews with recog-
nized jurors and reviewers. This gets your
work in front of industry leaders and adds
credentials to your CV. Before submitting, re-
search the event and the jurors to make sure
it’s a good t. Follow entry instructions care-
fully, as you may be disquali ed for an in-
complete or incorrect submission. Set aside
money for entry fees and put together an art-
ist bio and artist statement.
- NETWORK. Make connections with gal-
lerists, art curators, art consultants, interior
designers, and boutique shop owners. Re-
search the who’s who of your local ne art
scene, and start building relationships. Have
your portfolio, pricing, and promotional ma-
terials ready and organized at all times, and
be alert for opportunities. Experiment with
speaking about your work with others so you
get better at presenting yourself as an artist.
“This will take some practice,” Pishnery says.
- HAVE AN ONLINE PRESENCE. In addi-
tion to a printed portfolio, you need to have
a social media presence as well as a profes-
sional website. Most gallerists will not meet
with you in person until they’ve seen your
portfolio online, says Pishnery. So provide
plenty of online avenues to your portfolio. •
BE SEEN
HOW TO GET YOUR FINE ART DISPLAYED
Judith Pishnery