34 JUNE 2019 http://www.painters-online.co.uk
Pen and ink
You will need
lDrawing board
lSketchbook
l2B and 6B
graphite pencils.
lCanson Mix Media
200gsm paper A4
lPigma Micron
technical pens
Nos. 0.1 and 0.5
lRotring water-
soluble ink pen
Step 1
I started with a quick thumbnail sketch that showed
the direction of light and the main tonal values and
which features to change or leave out. I wanted to keep
my picture uncluttered and well balanced. I moved the
entire picture down a little so the horizon line did not
cut the paper in half horizontally. I left out one of the
buildings and brought the distant land on the left
around to enclose the grassy bank. I added foliage
on the left to stop the eye from wandering off the side
of the picture. I liked the fence as it led the eye down
into the water. I tucked one of the posts in behind the
foliage on the left. I kept the large trees on the right-
hand side but moved them slightly to the right.
The joy of being an artist is, you can move trees
or mountains with no effort whatsoever!
t
Step 2
1 I did not do a pencil sketch first but went
straight in with ink. I decided to use my pen with
permanent ink for the majority of the drawing.
I intended to use my water-soluble ink pen for
soft shading on the clouds and perhaps on some
of the landscape features. However, I would
make that decision later in the drawing process.
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2 I made a basic outline sketch of the picture
without yet thinking about shading. My previous
thumbnail sketch told me the direction of light
so I tried to draw more broken contour lines
where the light would hit. (The drawing here has
been darkened slightly for printing purposes).
I drew my biggest shapes first, gradually working
down to more detail. I was always aware of
looking for the basic shapes of cubes, spheres,
prisms and cylinders in my landscape features.
I marked my drawing board with an arrow to
remind me of the direction of light. It’s easy
to forget this when becoming really involved
with the drawing.
DemonstrationLandscape