http://www.painters-online.co.uk JUNE 2019 57
to dry completely first. This gives you
nearly endless possibilities for creating
detailed compositions.
6 Gouache is a fantastic medium for
making studies that will be the visual
guides for future oil paintings.
7 Practise mixing different colours;
see how many different greens
you can make from your blues
and yellows. LP
t
So, now let’s paint! I took inspiration from a typical image that you might see on
holiday, or you might be lucky enough to have at home (right). You could go straight
in with paint but I find it comforting to have some guidelines and a sketch gives
me time to look at my subject, which in turns helps me think and concentrate!
Step 1
Once you have completed
a quick sketch (above right),
make a more careful one
using lighter pencil lines.
Include a few guidelines
with a waterproof fine liner
pen, as the light pencil
lines will soon be lost
amid the paint.
t
Step 2
Paint a loose wash of sepia
watercolour. Wet the paper
with clean water then let the
paint run into the damp
area. Touch more paint into
areas that you want to be
darker. You can see how
the pots stay clean, because
that area of paper is dry.
I don’t mind the blooms
of paint here.
t
DemonstrationBalcony with Flowers
tOlive Grove, watercolour and gouache, 5 (^12) ⁄x 1612 ⁄in. (14x42cm)
You will need
nSurface
l140lb Hot-pressed
watercolour paper
8 x 61 ⁄ 4 in. (10x16cm)
n Van Gogh Watercolour
lAzo yellow, vermilion,
madder lake deep,
quinacridone rose,
yellow ochre and sepia
n Talens Extra Fine
Quality Gouache
lOpaque white,
yellow ochre,
light blue (cyan),
ultramarine, deep
yellow, lemon
yellow and burnt
sienna
n Brushes
lVan Gogh Round
watercolour
brush No. 8
n Miscellaneous
lPencil and
waterproof
fine liner