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COS taps American artist
Phillip K Smith III for its relective
seventh installation at Salone
PHOTOGRAPHY: RICHARD BARNES WRITER: PEI-RU KEH
The fashion label COS is no stranger to crowd-pleasing
collaboration. Every year since 2012, the Swedish-
owned, London-based chain has worked with an array
of design talents, including Sou Fujimoto, Nendo and
Snarkitecture, to construct a series of installations at
Milan’s Salone del Mobile. Excitement around COS’
Milan projects increases exponentially with each new
edition. Last year – as it unveiled an ephemeral, multi-
sensorial experience by Studio Swine, based around a
blossoming tree of mist-illed bubbles – that excitement
ran to feverish. Sculptural, delicate and mesmerising, it
was easily the brand’s most memorable efort to date.
‘It’s not been our intention to create a biger and
biger presence in any way. We purely go on who we
really believe in and who we’re passionate about at that
moment,’ says COS’ creative director Karin Gustafsson
of the installations, which began with set designer
Gary Card creating a cube that could pull apart and
showcase the label’s wares. The brief is wide open.
They ‘focus on an understanding of our brand and
values, [but] we wouldn’t want to interfere with the
artist’s work – it’s not about that. It’s more about
sharing inspiration, and who we think is amazing.’
For this year’s iteration, COS asked American artist
Phillip K Smith III to join its creative roster. Smith,
a light-based artist best known for his relective
outdoor installations set against expanses of desert »
PALM SPRINGS-BASED ARTIST
PHILLIP K SMITH III WORKING
ON HIS INSTALLATION
FOR MINIMALIST FASHION
BRAND COS AT URBAN ART
PROJECTS’ LONG ISLAND
CITY PRODUCTION FACILITY
Salone del Mobile
MILAN
PREVIEW
2018