Last year Birkenstock debuted its
Birkenstock Box, a mobile retail concept
designed by Gonzalez Haase and
featuring stacked freight containers,
which act as blank boxes for the design
whims of Birkenstock’s collaborators,
ranging from Andreas Murkudis in Berlin
to Barney’s New York. Now the Box
is pitching up outside Rick Owens’
La Brea Avenue boutique in California.
‘Retail experiences must deliver
the unexpected,’ says Birkenstock
CEO Oliver Reichert. ‘The Box is about
creating a holistic experience, a creative
platform and meeting place where
product and architecture interact.’
Rick Owens has raised the roof on
Reichert’s immersive aim, overhauling
the interior of the Birkenstock Box with
organic elements inspired by ‘a Joseph
Beuys temple’. The two-storey space
features mirrored- and army felt blanket-
lined walls, and is dotted with interior
design objects, including ‘Prong Camel’
sculptures in foam, steel concrete and
camel skin by Owens’ company
Owenscorp. The Box also boasts Owens’
take on Birkenstock’s signature ‘Arizona’,
‘Madrid’ and ‘Boston’ styles in army felt,
suede, leather and cow fur, complete
with leather footbed lining.
‘I wanted to subtly corrupt their
shape,’ Owens says. ‘I extended the
sandals’ straps longer than is practical,
and added more holes as a reverse
embellishment.’ A range of his brand’s
clothing has been specially created
for the store, including idiosyncratic
dropped-crotch shorts and draped jersey
dresses. ‘My thoughts went to a sun-
worshipping nudist colony,’ Owens says.
‘And robed igures in Cecil B DeMille
epics. I’ll be wearing my Birkenstocks
with cashmere jogging pants when I walk
on the Adriatic Coast this summer.’
birkenstockbox.com
Box
fresh
Rick Owens revamps
Birkenstock’s retail
pop-up space
LEFT, ‘MADRID’ COW FUR
SANDALS IN GREY, £205;
CLOTHING, ALL BY RICK
OWENS X BIRKENSTOCK,
FROM THE BOX
THIS PICTURE, ‘PRONG
CAMEL’ SCULPTURE
BY OWENSCORP, AMONG
SEVERAL FEATURED
IN THE STORE
Never underestimate the money-
making prowess of a pop artist. Music
sales may be under siege, but the
merchandise they sell isn’t. T-shirts,
wristbands and caps have long been
staples of global tours, but one-of
pop-up stores that coincide with
concert dates have not. From Justin
Bieber and Beyoncé to Kendrick
Lamar and The Strokes, exclusive
apparel plastered with just-released
pop lyrics sold in short, local bursts is
a far cry from generic Mariah Carey
keychains. More fashionable apparel
is good for the bottom line, but also
a smart way for major artists to ofer
exclusively to their local fanbases.
If Terrible Merch, a start-up, gets its
way, minor artists will soon follow
suit. By helping small bands harness
the power of merchandise, Terrible
Merch doesn’t just help in sourcing
high-quality products, but also
deines what merch works where.
What Brighton band knows, for
example, that Germans love branded
tote bags? T-shirts bearing the names
Metallica or Ramones will always sell
well, but for new kids on the block
looking to live of their music, merch
ofers the surest path to success.
SALES PITCH
INCOMING JOHN WEICH
WRITER: LAURA HAWKINS
Newspaper
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