Billboard - USA (2020-01-25)

(Antfer) #1

with Sony Music, Disney, Netflix, Tidal,


Apple, Spotify and Adidas. The chairman/


CEO, 38, charted three albums in the top 10


on the Billboard 200 in 2019 (Lemonade,


The Lion King: The Gift and Homecoming:


The Live Album) while her Netflix docu-


mentary Homecoming reached 1.1 million


U.S. viewers the day it premiered (April 17).


“We have produced a high volume of


work that is still regarded as commercially


successful, artistically excellent and has


societal impact,” says Pamon, 49. “All of


them defied expectations.”


Walter Kolm


Founder, Walter Kolm Entertainment


Kolm’s roster of Latin music stars had a


great year in 2019. Carlos Vives played


a five-night engagement at the Movistar


Arena in Colombia. Maluma took the stage


at the Billboard Music Awards with Ma-


donna. Reggaetón pioneers Wisin & Yandel


made a triumphant comeback, ranking at


No. 3 on Billboard’s top Latin duo/group


year-end recap, and Latin pop boy band


CNCO performed at the MTV Video Music


Awards and on Good Morning America.


“Our artists have helped grow the popular-


ity of different genres and promote a di-


verse variety of music in the industry,” says


Kolm. “Knowing that my work is spreading


awareness and love for Latin music makes


every day worthwhile.”


Adam Leber


Partner, Maverick


Gee Roberson


Co-CEO, The Blueprint Group;


partner, Maverick


The 19-week streak of “Old Town


Road” atop the Hot 100 in 2019 was a


record-shattering coup for Lil Nas X’s


co-managers. But the Maverick partners


are even more thrilled by the artist’s six


Grammy nominations, especially for a


genre-bending, Gen Z hip-hop cowboy.


“Lil Nas X has really shone a spotlight on


how we categorize artists and their sounds


moving forward,” says Leber, 42, who also


manages Miley Cyrus and helped super-


vise music for HBO’s Euphoria, scored by


client Labrinth. “The cherry on top” is the


album of the year Grammy nomination for


Lil Nas X, adds Roberson, who has also


been prepping for a new album from client


G-Eazy, out in early 2020. Lil Nas X “walked


in with his artistry, and to be accepted


so greatly by the public?” says Roberson.


“That’s the holy grail.”


Rebeca León


Founder/CEO, Lionfish Entertainment


León steered the meteoric rise of Rosalía,


one of 2019’s breakthrough acts and a


Grammy nominee for best new artist. She


signed Rosalía before the urban-flamenco


singer had a record deal and helped her


land slots on high-profile festivals like


Coachella and Lollapalooza. “She’s so


amazing,” says León. “She works so hard


and people love her.” León’s previous cli-


ents include J Balvin and Juanes; the Latin


Recording Academy named the latter the


2019 Person of the Year. “Artist develop-


ment motivates me,” she says. “It’s an honor


and a privilege to work with creators.”


Dre London


Founder, London Entertainment


London’s management client Post Malone


closed 2019 as Billboard’s top artist of


the year on the strength of Hollywood’s


Bleeding, which debuted at No. 1 on the


Billboard 200 in September; the continu-


ing success of 2018’s beerbongs & bentleys;


a string of hit singles on multiple charts,


including the Hot 100; and one of the


year’s top-grossing tours. “My goal since


we signed him in 2014 was to crack every


chart, and we’ve [nearly] done that” with


Hollywood’s Bleeding, says London. “That


says a lot about his talent and how big of a


genreless artist he is.”


Phil McIntyre


Founder/CEO, Philymack


The Jonas Brothers’ 2019 return was a


crowning achievement for McIntyre, 37,


their longtime manager. The group’s first sin-


gle in nearly six years, “Sucker,” hit No. 1 on


the Hot 100, a chart-topping feat the siblings


had never before achieved. “After 14 years, it


was a very proud moment for all of us,” says


McIntyre. The triumph of “Sucker” helped


propel the first new Jonas Brothers album


in a decade, Happiness Begins, to No. 1 on


the Billboard 200 and secured Nick Jonas


a primetime judge slot on the forthcoming


season of NBC’s The Voice.


Guy Oseary


Co-founder/principal, Maverick Management


Oseary’s client U2 closed out the past year


with a stadium show on the Joshua Tree


tour in Mumbai, India, marking a milestone


in the nation’s development as a global


concert destination. Fellow marquee client


Madonna toured for her Madame X album,


which reached No. 1 on the Billboard 200.


Oseary, 47, is also behind Community.com,


a text message-based opt-in platform that


allows direct communication between per-


formers and fans. “I’m very focused on how


we as [an artist] community have no plat-


form to reach our audience directly,” says


Oseary. He’s quick to praise the success of


fellow Maverick managers like Adam Leber


and Gee Roberson, who represent pop


phenomenon Lil Nas X, and Wassim “Sal”


Slaiby, whose client The Weeknd returned


to No. 1 on the Hot 100 in December with


“Heartless.” Says Oseary: “All of us at Mav-


erick are part of a great collective. We’re


really privileged.”


Jason Owen


President/CEO, Sandbox Entertainment;


co-president, Monument Records


Owen’s clients Kacey Musgraves and


Dan + Shay gained superstar status in


2019, beginning at the 61st annual Gram-


mys in February. Musgraves’ four honors


included album of the year for Golden


Hour, while Dan + Shay (whom Owen


co-manages with Scooter Braun) won best


country duo/group performance for their


crossover hit “Tequila.” Owen, 43, also


helped both acts advance on the road.


Musgraves’ 63-show Oh, What a World


Tour grossed $12 million, and Dan + Shay


plotted their first arena-headlining tour


for 2020. “Nothing on my roster would be


considered an overnight success,” says


Owen, who also manages Little Big Town,


Kelsea Ballerini and Midland, among oth-


ers. “Longevity comes with artists who


take the time to build careers.”


Courtney Stewart


CEO, Right Hand Music Group;


co-founder, Keep Cool


Barely five years into Khalid’s career, Stew-


art’s client is a six-time Grammy nominee


with 6 billion streams for his sophomore


album, Free Spirit. Khalid’s 2019 tour,


which wrapped in Australia in December,


included double sellouts at Los Ange-


les’ Staples Center, New York’s Madison


Square Garden, London’s O2 Arena and


Sydney’s Qudos Bank Arena, says Stewart.


Through his secondary company, Keep


Cool, Stewart is working with breakout


R&B artist Lucky Daye, who has been


nominated for four 2020 Grammys.


Pierre “P” Thomas


CEO, Quality Control Music


Kevin “Coach K” Lee


COO, Quality Control Music


The Quality Control duo of Lee and


Thomas cheered in the past year as Migos


returned to the Hot 100 with “Pure Water,”


Lil Baby debuted at No. 1 on Streaming


Songs with “Woah” and, after City Girls


topped Rhythmic Songs with “Act Up,” the


rap duo’s JT was released from a prison


stint in October. She and City Girls partner


Yung Miami dropped “First Day Out” to


mark her return home. The latest move


by Thomas and Lee: Quality Control’s


first R&B signing, Layton Greene. “We are


breaking into a new genre of music with


her,” says Thomas, 39.


AGENCIES


Dennis Arfa


Chairman, Artist Group International


Marsha Vlasic


President, Artist Group International


Adam Kornfeld


President of touring for North America,


Artist Group International


AGI’s achievements in the past year


include the continuing success of Billy


Joel’s Madison Square Garden residency,


supplemented by shows at Boston’s Fen-


way Park and London’s Wembley Stadium,


LONDON


McINTYRE


OSEARY


OWEN


LEÓN


ROBERSON


LEBER


STEWART


THOMAS


LEE


ARFA


VLASIC


KORNFELD


KOLM


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98 BILLBOARD • JANUARY 25, 2020


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