Billboard - USA (2020-01-25)

(Antfer) #1

Capitol Music Group


Jacqueline Saturn


President, Caroline; president, Harvest


Capitol Music Group’s wins under Barnett,


67, came from across the board in 2019.


At the flagship label, Halsey’s “Without


Me” ruled the Billboard Hot 100 for two


weeks, while U.K. newcomer Lewis Capaldi


spent three weeks at No. 1 on that chart


with surprise crossover hit “Someone You


Loved.” (At year’s end, Barnett confirmed


Jeff Vaughn as the new president of Capitol


Records.) Motown’s partnership with Qual-


ity Control sent Lil Baby’s “Woah” to No. 16


on the Hot 100, while Miami duo City Girls


crowned the Rhythmic airplay chart in July


with “Act Up.” Astralwerks scored a massive


victory with “Happier” from Marshmello and


Bastille, which finished at No. 1 on the Hot


Dance/Electronic Songs year-end chart,


after a record 69 weeks in the top slot.


Meanwhile, distribution company Caroline


doubled its market share over the past two


years. Says Barnett: “I’m very proud that we


are achieving such consistent success by


welcoming and embracing diversity.”


Darcus Beese


President, Island Records


Eric Wong


COO, Island Records


In Beese’s first full year leading Island


Records in the United States (after previ-


ously running its U.K. operation), he and


Wong oversaw Shawn Mendes’ two big-


gest Hot 100 hits (“Señorita” with Camila


Cabello at No. 1 and “If I Can’t Have You” at


No. 2) and the first Grammy nomination for


fast-rising R&B artist Jessie Reyez (best ur-


ban contemporary album for her late-2018


release Being Human in Public). Beese and


his team celebrated Island’s 60th anniver-


sary in 2019. He also signed Jac Ross, pop-


R&B duo Emotional Oranges, Vietnamese-


American singer-producer keshi and queer


artist Baby Rose, among others. “We’ve got


to revel in our history while driving toward


the future,” says Beese.


Scott Borchetta


Founder/president/CEO,


Big Machine Label Group


In June, Scooter Braun’s Ithaca Holdings ac-


quired Big Machine Label Group for more


than $300 million and named Borchetta,


56, a board member with a “significant,


but minority” share in the company, which


is home to Florida Georgia Line, Thomas


Rhett, Reba McEntire, Lady Antebellum,


Sheryl Crow and others — as well as the


pre-Lover catalog of Taylor Swift. “The


heart and soul of the Big Machine Label


Group is beating stronger than ever,” says


Borchetta. “The staff and artists are even


more unified; the new music being made is


blowing my mind.”


Aaron Bay-Schuck


Co-chairman/CEO, Warner Records


Tom Corson


Co-chairman/COO, Warner Records


In their first full year running Warner


Records together, Bay-Schuck, 38, and Cor-


son, 59, oversaw a name change for the six-


decade-old label (no more “Bros.”) and an


office move to Los Angeles’ downtown Arts


District while also pruning the label’s roster


and beefing up its A&R team. The duo has


tallied some notable talent successes, like


launching No Love Entertainment with


rapper NLE Choppa, scoring a No. 1 hit on


the Rhythmic airplay tally with Saweetie’s


“My Type” and securing its rock/alternative


stature with Gary Clark Jr., Green Day and


The Black Keys. “To have done all that in


our first 12 months — Tom and I are really


proud of that,” says Bay-Schuck. “It’s set-


ting us up for a pretty remarkable 2020.”


Mike Dungan


Chairman/CEO,


Universal Music Group Nashville


Cindy Mabe


President, Universal Music Group Nashville


In a year that has brought success for


the 35-plus artists on the UMG Nashville


roster — from Kacey Musgraves to Keith


Urban to Carrie Underwood — Dungan


singles out the ongoing development


of Jon Pardi as 2019’s biggest win. The


neotraditionalist’s third album on Capitol


Records Nashville, Heartache Medication,


bowed at No. 2 on Top Country Albums,


spawning Pardi’s fifth Country Airplay


top 10 and a headlining theater tour.


“When we launched Jon Pardi, the entire


industry raised a collective eyebrow:


‘What do you expect to do with this? It’s


far too “country”!’ ” says Dungan. “He is


now a legitimate ‘automatic’ at country


radio, a platinum artist and a commanding


headliner in the touring world.”


Mike Easterlin


Co-president, Elektra Music Group


Gregg Nadel


Co-president, Elektra Music Group


The December rise of Australian singer-


songwriter Tones and I to No. 7 on the


Hot 100 with “Dance Monkey” capped a


successful first full year of operation for


the relaunched Elektra Music Group and


confirmed Easterlin and Nadel’s A&R-


driven strategy. The year began with


Panic! at the Disco in January reaching


No. 4 on the Hot 100 with “High Hopes,”


from 2018’s Pray for the Wicked, and, a


month later, Brandi Carlile’s triumphant


performance of “The Joke” at the 61st


Grammy Awards, where she was the most


nominated woman (and took home three


honors). “We want to find the right artists


that fit what we do, that we really believe


in, and then put all of our muscle behind


them,” says Nadel.


Peter Edge


Chairman/CEO, RCA Records


John Fleckenstein


Co-president, RCA Records


Joe Riccitelli


Co-president, RCA Records


“We really take the artistry seriously,” says


Edge, citing the 2019 achievements of


Khalid, P!nk and Chris Brown. Alt-rock act


Tool returned to No. 1 on the Billboard 200


with Fear Inoculum, the group’s first studio


album in 13 years. H.E.R. and Brockhampton


“represent the new world for younger


people in different ways,” says Edge.


“People say to me, ‘You have one of the best


artist rosters in the business.’ We work hard


making sure we keep that intact.”


John Esposito


Chairman/CEO, Warner Music Nashville


Esposito, 64, celebrated his 10th anniversary


as chairman/CEO of Warner Music Nashville


in 2019 with multiple victories, exemplified


by Dan + Shay’s global streaming success


(via the duo’s recent collaboration with


Justin Bieber on “10,000 Hours”), Blake


Shelton’s musical renewal with the CMA


Award-winning “God’s Country” and “the


undeniable talent of our new female artists,


Ashley McBryde, Ingrid Andress and Gabby


Barrett,” he says. “I’m motivated by the


immense satisfaction of finding unknown


artists and doing my part to make sure they


become household names.”


Denzyl Feigelson


Founder/CEO, Platoon


Since Apple’s 2018 acquisition of Platoon,


the London-based artist services company


— responsible for helping develop such


artists as Billie Eilish, Stefflon Don and Jorja


Smith — has continued to grow its global


roster, signing artists in Japan, Australia,


Southeast Asia and over 60 in Africa. “To


have Africa be almost 40% of the overall


Platoon business has been an amazing


achievement for us as a team,” says Fei-


gelson, 63, who previously founded AWAL


before its acquisition by Kobalt and worked


with Steve Jobs during the development


of iTunes. “Apple has given us all the tools


and services to be a better version of what


we are.”


Randy Goodman


Chairman/CEO, Sony Music Nashville


“Our goal has been to be the No. 1 country


label group in current market share, and we


achieved that” in 2019, says Goodman, 63,


who took the helm of Sony Music Nashville


in 2015. Sony’s current country market share


is an industry-leading 21.46%. Bolstered


by the achievement of Billboard’s 2019 top


country artist Luke Combs, as well as hits


by Kane Brown and Maren Morris, among


others, Sony Music Nashville was also


Billboard’s top country label of the past year.


John Janick


Chairman/CEO, Interscope Geffen A&M


Steve Berman


Vice chairman, Interscope Geffen A&M


Joie Manda


Executive vp, Interscope Geffen A&M


FEIGELSON


ESPOSITO


GOODMAN


EASTERLIN


NADEL


MABE


BORCHETTA


BAY-SCHUCK


CORSON


DUNGAN


EDGE


FLECKENSTEIN


RICCITELLI


BERMAN


JANICK


MANDA


BEESE


WONG


SATURN


2


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0


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108 BILLBOARD • JANUARY 25, 2020


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