Billboard - USA (2020-01-25)

(Antfer) #1

Bang Si-Hyuk


CEO/executive producer,


Big Hit Entertainment


BTS continued to rise globally in 2019,


with the K-pop boy band becoming the


first group since The Beatles to score


three Billboard 200 No. 1s in under a year.


Meanwhile, Bang, 47, diversified his South


Korean company’s exploding business:


Big Hit premiered its first new group since


BTS with Tomorrow X Together (which


topped Billboard’s World Albums chart),


acquired Source Music (a subsidiary label


that’s home to high-charting girl group


GFriend) and launched the mobile game


BTS World — all while reporting, in August,


record revenue of $172 million for the first


half of 2019.


Stuart Camp


Manager, Ed Sheeran


Camp’s superstar client Sheeran broke even


more records in 2019 when the singer’s


255-date ÷ (Divide) tour — which wrapped


Aug. 26 with the last of four shows in his


hometown of Ipswich, England — became


the highest-earning trek of all time, with a


global gross of $776 million and 8.9 million


tickets sold. The year closed with Spotify


naming Sheeran’s “Shape of You” its most-


streamed song of the decade: 2.3 billion


streams, according to the service.


Coran Capshaw


Founder, Red Light Management


Red Light’s roster of road-tested acts


racked up big box-office numbers in 2019


— Dave Matthews Band, Chris Stapleton


and Phish grossed a combined $128 mil-


lion. Capshaw’s longtime partnership with


Matthews, his first client, also continues


to flourish: Their label, ATO Records —


which celebrates its 20th year in 2020


— scored with Brittany Howard, who


ruled Billboard’s Triple A airplay chart


with her single “Stay High” in October,


and neo-soul band Black Pumas, which


garnered a best new artist Grammy nod


that same month, while DMB received an


October nomination for the Rock & Roll


Hall of Fame’s class of 2020. In December,


Tom Petty’s widow and two daughters


announced that Capshaw’s independent


artist-management company, which


remains the industry’s largest, will handle


the late rocker’s estate. Meanwhile, Red


Light remains manager of Garcia Family


LLC, part of the estate of the late Grateful


Dead guitarist Jerry Garcia. His heirs plan


to introduce a cannabis brand. Says Cap-


shaw, 61: “We’ve had success launching


multiple artist-affiliated brands, and the


announcement of the Garcia cannabis line


is our latest.”


Andrew Gertler


Founder/CEO, AG Artists


In 2019, Gertler, 31, helped core client


Shawn Mendes succeed on the charts,


the concert stage and as a philanthro-


pist. The singer had his highest-charting


Billboard Hot 100 hits to date with the


No. 1 “Señorita” (with Camila Cabello) and


the No. 2 “If I Can’t Have You.” He played


his first sold-out stadium shows during


Shawn Mendes: The Tour, which earned


over $96.7 million. And in August, Gertler


launched the Shawn Mendes Foundation


with $1 million in funding to “support youth


change-makers and causes important to


Shawn’s audience, like the environment and


mental health,” says Gertler.


Aubrey “Drake” Graham


Co-founder, OVO/OVO Sound


Adel “Future the Prince” Nur


Manager, Drake


Noah “40” Shebib


Co-founder, OVO/OVO Sound; producer


Oliver El-Khatib


Co-founder, OVO/OVO Sound


Mr. Morgan


President, OVO Sound


Drake, 33, followed up the global success


of his 2018 album, Scorpion (which logged


all 25 of its tracks on the Hot 100), with the


August release of Care Package, on which


El-Khatib and Shebib, both 36, worked


as executive producers and Mr. Morgan


offered an assist. The set became Drake’s


ninth No. 1 on the Billboard 200. One of the


dominant streaming artists of the past de-


cade, Drake has also shaped the landscape


for experimental hip-hop. With his new


single “Life Is Good” with Future, Drake


gained his 207th hit on the Hot 100 in Janu-


ary — tying the record that the cast of Glee


had set for the most career entries.


Chris Kappy


Founder, Make Wake Artists


Lynn Oliver-Cline


Founder, River House Artists


Luke Combs, jointly managed by Kappy, 47,


and Oliver-Cline, 46, had his biggest year


yet in 2019: He earned his seventh career


No. 1 single on Country Airplay; took home


the new male artist and male vocalist of the


year honors at, respectively, the Academy


of Country Music and Country Music Asso-


ciation Awards; and notched a No. 1 debut


on the Billboard 200 with sophomore al-


bum What You See Is What You Get, which


bowed with 74 million on-demand audio


streams. “Luke paved the way for artists to


be themselves and to take risks with their


music,” says Oliver-Cline.


Beyoncé Knowles-Carter


Chairman/CEO, Parkwood Entertainment


Steve Pamon


President/COO, Parkwood Entertainment


During the past year, Beyoncé’s Parkwood


Entertainment has partnered on projects


CAMP


CAPSHAW


GERTLER


DRAKE


MORGAN


SHEBIB


EL-KHATIB


NUR


KAPPY


OLIVER-CLINE


BEYONCÉ


PAMON


BANG


“Artists don’t really have a seat at any table.


Just the fact that we have a powerful group of people


will scare everyone else to the table.”


—IRVING AZOFF, who, in July 2019 — along with fellow talent managers CORAN CAPSHAW and


JOHN SILVA; a group of artists that includes Don Henley, Dave Matthews, Maren Morris, Anderson


.Paak and Meghan Trainor; and a number of industry executives and attorneys — formed the Music


Artists Coalition to advocate for and protect artists’ rights. The organization hired Jack Quinn, former


White House counsel under the Clinton administration, as its president; partnered with the RIAA


and American Association of Independent Music to secure an amendment to California’s AB5 “gig


economy” law affecting independent artists, songwriters and producers; and spoke out in support of


Taylor Swift over her claims that her former record label Big Machine had prevented her from perform-


ing a medley of her hits at the American Music Awards.


POWER MOVE


The Music


Artists


Coalition


Muscles In


Morris (left)


and Azoff


2


0


2


0


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96 BILLBOARD • JANUARY 25, 2020


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