The New York Review of Books - USA (2020-02-13)

(Antfer) #1

28 The New York Review


Whose Crusades?


Robert Irwin


The World of the Crusades :
An Illustrated History
by Christopher Tyerman.
Yale University Press, 517 pp., $35.00


Crusaders:
The Epic History of the Wars
for the Holy Lands
by Dan Jones.
Viking, 425 pp., $30.00


The Accursed Tower:
The Fall of Acre and
the End of the Crusades
by Roger Crowley.
Basic Books, 254 pp., $28.00


There are certain historical
subjects—Mary Queen of
Scots, Napoleon, the American
Civil War, and the downfall of
Hitler among them—that have
attracted such a mass of writing
and rewriting that they have
acquired a gravitational pull
and, rather than discouraging
other historians from produc-
ing more books on these well-
worn subjects, attract yet more
retellings. The Crusades is an-
other one. The story started to
be told, shaped, and reshaped
almost as soon as it had started.
The medieval chroniclers of the
Crusades—such as the anony-
mous author of the chronicle of
the First Crusade known as the
Gesta Francorum; William,
archbishop of Tyre, the chroni-
cler of the twelfth- century
Kingdom of Jerusalem; and the
“Templar of Tyre,” the eyewit-
ness of the final downfall of
the great coastal city of Acre
in 1291—tended to present
the history of the Kingdom of
Jerusalem as a morality tale
whose past and future had
been marked out by texts from
the Bible. God gave victory to
the deserving, while defeat and
death were the punishments for
sin and lack of faith.
When the army of the First
Crusade conquered Jerusa-
lem in 1099, a slaughter of the Muslim
and Jewish inhabitants took place, and
contemporary chroniclers reported
that when the Christian knights rode
through the Temple area of the city,
the blood of the slaughtered rose to
the level of their stirrups. This was not
documentary reportage. The aim was
rather to present the conquest of the
city as a fulfillment of Revelation 14:20 :
“And the winepress was trodden with-
out the city, and blood came out of the
winepress, even unto the horse bridles.”
The Books of Maccabees were par-
ticularly favored by preachers and
participants in Crusades, dealing as
they did with the redemption of Israel
through warfare. According to one
source, Urban II cited Maccabees in
the sermon at the Council of Clermont
in 1095, which launched the First Cru-
sade. A few years later, when the army
of the First Crusade victoriously con-
fronted the Seljuk Turks at the Battle
of Dorylaeum, the writer Raymond of
Aguilers described how the Christian
force had been aided by “protectors:
‘two handsome knights in flashing


armor, riding before our soldiers and
seemingly invulnerable to the thrusts
of Turkish lances.’” He was probably
borrowing this inspiring image from
the second book of Maccabees, in
which “five comely men upon horses,
with bridles of gold” shield Maccabeus
from the enemy. Isaiah was also useful.
Innocent III, in arguing that the target
of the Fourth Crusade should be god-
less Egypt rather than Palestine, cited
Isaiah 31:3: “Now the Egyptians are
men, and not God.” (In fact the Fourth
Crusade went and sacked Constanti-
nople in 1204.)
When the Crusades failed (and ex-
cept for the first they all failed), defeat

was only occasionally explained as a
result of poor strategy or lack of man-
power. Confronted with the failure of
the Fifth Crusade to conquer Egypt,
Oliver of Cologne preferred to ascribe
it to sin: “If it is asked why Damietta re-
turned so quickly to the unbelievers the
answer is clear. It was luxury- loving, it
was ambitious, it was mutinous. Be-
sides, it was exceedingly ungrateful to
God and to men.” When in 1216 the
churchman Jacques de Vitry arrived
in Acre, the capital of a Kingdom of
Jerusalem that no longer included Je-
rusalem, he was horrified by what he
found there: Orientals, deviant Chris-
tians, prostitutes, outlaws, sorcerers,
murderers, and people who could not
be bothered to come to his sermons.
This was a city that would be doomed
by its sinfulness.
The story of the Crusades, like the
books of the Bible, drew upon miracles
and prophecies. In The World of the
Crusades, Christopher Tyerman de-
scribes the background to Pope Urban
II’s call in 1095 for a Crusade. His “de-
cision to include the liberation of the

Holy Sepulchre” in Jerusalem from the
Fatimid Caliphate

carried wide significance, not
least by tapping into current es-
chatological excitement, a percep-
tion, encouraged by some popular
preachers, a series of poor harvests
and some unusual celestial phe-
nomena, that the world was fac-
ing the Apocalypse, as prophesied
in the Book of Revelation when
Christ would return with a New
Jerusalem.

After the army of the First Crusade
had successfully taken Antioch in

northern Syria, but were then besieged
by an enormous army commanded by
the Turk Kerbogha, they were encour-
aged to sally out and defeat that army
by an opportune vision that had led to
the discovery in the city of the Holy
Lance that had pierced Christ’s side on
the cross. When, more than a century
later, Oliver of Cologne called for the
Fifth Crusade in front of a Frisian audi-
ence, he reported that he was helped by
the appearance of a miraculous cloud
with a white cross on it, and this was
followed by

another cross of the same color
and shape, thirdly a great cross
appeared between and above
these... which had on it the form of
a human body, so it seemed, as tall
as a man, naked... his head leaning
on his shoulders and his arms not
stretched out straight but raised up
above. There were, clearly visible,
nails through the hands and feet.

Such wonders validated the Crusading
enterprise.

The Muslims were also attracted to
miraculous explanations. After the fall
of Acre to the Mamluks in 1291 (hijri
year 690), the emir charged with the
destruction of the city found a lead tab-
let written in Greek that, when trans-
lated, predicted the imminent global
triumph of the followers of Muham-
mad: “His community shall possess all
the regions of Persians and the Franks
and others, and if they enter the year
700 his community shall possess all the
lands of the Franks.”

The presentation of the Crusades
as a kind of morality roman fleuve
has continued into modern
times, most notably in Steven
Runciman’s stylishly writ-
ten three-volume A History
of the Crusades (1951–1954).
Runciman’s history, which
owed a great deal in its gen-
eral approach and detailed
referencing to René Grous-
set’s three-volume Histoire des
croisades et du royaume franc
de Jérusalem (1934 –1936), has
never been out of print. He
excelled in set-piece tableaux,
such as his opening descrip-
tion of the Caliph Omar, riding
on a white camel and dressed
in filthy robes, taking peace-
ful possession of Jerusalem in
638—a description that serves
as a perfect counterpoint to his
appalled account of the Cru-
saders’ sack of Jerusalem in
1099, including a description
of Raymond of Aguilers visit-
ing the Temple area and hav-
ing “to pick his way through
corpses and blood that reached
up to his knees.”
Runciman, an admirer of
Byzantine and Muslim cul-
ture, was certain that the Cru-
sades were a mistake, and as
Tyerman notes in his conclud-
ing survey of the afterlife of
the Crusades, for Runciman
“the crusades bore witness to
the eternal dangers of unbri-
dled ideo logical passion pitted against
civility.” Tyerman adds:

From a vertiginous pose of confi-
dent intellectual eminence, Run-
ciman passed timeless adamantine
judgements, none more so than his
famous condemnation of the Cru-
saders’ sack of Constantinople in
1204: “there never was a greater
crime against humanity than the
fourth Crusade,” a verdict deliv-
ered in 1954, just years after the
principle of crimes against hu-
manity had first been defined and
internationally accepted in the
aftermath of the atrocities of the
Third Reich, Japanese imperial-
ism, the Holocaust and the Second
World Wa r.

Viewed as history, Runciman’s work
presents quite a few problems—he
was consistently biased in favor of the
Byzantines and didn’t critically exam-
ine the sources he needed for his ex-
citing story—but viewed as literature
it is superb, and it is possible that the

A battle during the First Crusade; illustration from Sébastien Mamerot’s Les Passages d’Outremer, circa 1474

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