New York Magazine - USA (2019-12-23)

(Antfer) #1

december 23, 2019–january 5, 2020 | new york 77


1.
It’s Garry Shandling’s
Book, edited by
Judd Apatow
A cohesive narrative
about a genius-level
mind, and an intimate
look at a man who
was hard to know.
2.
Generation
Friends, by Saul
Austerlitz
A delightfully thorough
history of the “Must See
TV” staple, including how
NBC nearly ruined it.
3.
Toxic Femininity
in the Workplace,
by Ginny Hogan
A vital (and hilarious)
tool in the daily hell of
not offending the fragile
egos of male co-workers.
4.
Dear Girls, by
Ali Wong
The comedian’s life
story as a series of
conversational letters to
her daughters. Stand-
ups’ books don’t often
feel like they’re in the
voice of the comedian
who supposedly wrote
them, but Wong’s
precisely worded vitriol
remains intact here.
5.
Little Weirds,
by Jenny Slate
A whimsical, riotous, and
vulnerable reflection
on childhood, career,
love, body image,
and aspiration.
6.
Funny Man: Mel
Brooks, by Patrick
McGilligan
Brooks’s long, incredibly
accomplished career was
due for the biography
treatment, but this is
a personal book, too.
McGilligan doesn’t shy
away from the more
embarrassing details
of the star’s life.
7.
Mostly Dead Things,
by Kristen Arnett
A hilariously dark novel
about a Florida strip-
mall taxidermist who
takes over the family
business after her father
commits suicide.
8.
Wild and
Crazy Guys, by
Nick de Semlyen
Here’s a rare case
of a writer trying to
make sense of the
mainstream comedies
of the Reagan era.
9.
The Grammarians,
by Cathleen Schine
A comic novel about the
sheer absurdity of life and
the hilarious coincidences
that ensnare us all.
10.
Ayoade on Top, by
Richard Ayoade
A book of film criticism,
written in character as
a man with a drive to
analyze every frame
of the 2003 comedy
View From the Top.

footage helps the special feel like
the herculean feat that it is.
5.
Bangin’, Nikki Glaser
There’s a sensation, when you’re
listening to a musical theme and
variations, where the first few
variations feel like eye-rolling
exercises. Okay, you’re still doing it.
There it is again. By the time you’re
on to variation six, the feeling shifts.
You become overwhelmed with the
ingenuity it takes to sustain that
kind of focus. The theme starts to
change; its contours become more
meaningful. You realize it’s an
obsession, a way of plumbing depths
of the self. This is how Glaser’s special
works, and the theme and variations
are an entire hour of sex jokes.
6.
No One Loves You,
Roy Wood Jr.
This is a special with an
argument, a point of view, and a
commitment to saying the things
Wood really cares about saying
without resorting to tired Trump
clichés or exasperated blankness
about the state of the world.
7.
Paper Tiger, Bill Burr
I thought I was going to loathe
this. A furious man yelling about
his grievances against feminism is
not my idea of well-made comedy.
But Burr builds up that character
of himself so he can undermine it,
unspooling his fears about his anger
and his sense of being increasingly
displaced in a changing world.
8.
Ice Thickeners,
Emily Heller
Heller’s comedy is full of wild,
goofy assertions of the self, the kind
of thing that’s often couched in
apologetic language, especially when
it’s about women. There’s none of that
here. The twist in so many of these
jokes is that she’s exactly who she
is, and she’s happy to be that way.
9.
My Favorite Shapes,
Julio Torres
Sometimes stand-up comedy is a
person standing on a stage telling
jokes about their life. Sometimes it’s
Torres dressed in a galactic silver
suit, seated behind a conveyor belt
that looks like it was designed by
Lisa Frank, describing the inner life
of a McDonald’s Happy Meal toy.
10.
Not Normal, Wanda Sykes
The joke that has stuck with me
from Sykes’s special is about the
experience of being a black parent in
a family with a white co-parent and
white children. She deftly juggles
perspectives, misunderstandings,
and a hilarious, multilayered
reinterpretation of the word play.
It’s one of the best pieces of comedy
writing I came across all year.

1.
Live in Crenshaw,
Lil Rel Howery
Live in Crenshaw is one of the most
gorgeous things I saw this year in any
medium or genre. The standout part
is Howery’s funeral story, a virtuosic
sequence in which he embodies an
entire ecosystem of people in and
around his family after his uncle’s
death. It’s a glorious piece of comedy,
but Live in Crenshaw is particularly
stunning as a recorded document:
Shot inside a window-lined gym
during the magic hour, the lighting
alone would put it among the most
beautiful comedy specials ever made.
2.
Fire in the
Maternity Ward,
Anthony Jeselnik
The thing I admire most about

Fire in the Maternity Ward is its
unblinking commitment to being
utterly unreadable. It’s a tower of
rhetorical cards that could fall at
any moment if he were to flinch and
betray some humanity underneath
the asshole character he creates.
3.
The New One,
Mike Birbiglia
This is a beautiful special about
having children, but it’s mostly
about the few moments in life
when people really do find it
within themselves to change.
4.
The Great Depresh,
Gary Gulman
Gulman’ s radical openness about
his history with depression
is already impressive, but the
insertion of documentary

THE TEN


BEST


COMEDY

SPECIALS OF

THE YEAR
By kathryn vanarendonk

Top Ten
Comedy
Books
By
brian boone

*
OUR TEAM OF EXPERTS: REBECCA ALTER, KATE DOYLE, PABLO GOLDSTEIN, NOAH JACOBS, BECCA JAMES, MARK KRAMER, ANNA MARR
PHOTOGRAPHS: LARA SOLANKI/NETFLIX (GLASER); HBO (HOWERY); HBO (TORRES)

Y ___ DD ___ AD ___ PD ___ EIC

ADVANCED FORM


TRANSMITTED
________ COPY ___ DD ___ AD ___ PD ___ EIC

2619CR_YIC_section_lay [Print]_36372551.indd 77 12/17/19 2:32 PM

december23,2019–january5, 2020 | newyork 77

1.
It’s Garry Shandling’s
Book, editedby
JuddApatow
A cohesivenarrative
abouta geniuslevel
mind,andanintimate
lookata manwho
washard toknow.
2.
Generation
Friends,bySaul
Austerlitz
A delightfullythorough
historyofthe“MustSee
TV”staple, includinghow
NBCnearlyruinedit.
3.
ToxicFemininity
intheWorkplace,
byGinnyHogan
A vital(andhilarious)
toolinthedailyhellof
notoffendingthefragile
egosofmalecoworkers.
4.
DearGirls,by
AliWong
Thecomedian’slife
storyasa seriesof
conversationallettersto
herdaughters.Stand
ups’booksdon’toften
feellikethey’re inthe
voiceofthecomedian
whosupposedlywrote
them,butWong’s
preciselywordedvitriol
remainsintacthere.
5.
LittleWeirds,
byJennySlate
A whimsical,riotous,and
vulnerablereflection
onchildhood,career,
love, bodyimage,
andaspiration.
6.
Funny Man:Mel
Brooks,byPatrick
McGilligan
Brooks’s long,incredibly
accomplishedcareerwas
dueforthebiography
treatment,butthisis
a personalbook,too.
McGilligandoesn’tshy
awayfromthemore
embarrassingdetails
ofthestar’slife.
7.
MostlyDeadThings,
byKristenArnett
A hilariouslydarknovel
abouta Floridastrip
malltaxidermistwho
takesoverthefamily
businessafterherfather
commitssuicide.
8.
Wildand
CrazyGuys,by
NickdeSemlyen
Here’sa rarecase
ofa writertryingto
makesenseofthe
mainstreamcomedies
oftheReaganera.
9.
TheGrammarians,
byCathleenSchine
A comicnovel aboutthe
sheerabsurdity oflifeand
thehilariouscoincidences
thatensnareusall.
10.
AyoadeonTop,by
Richard Ayoade
A bookoffilmcriticism,
writtenincharacteras
a manwitha driveto
analyzeevery frame
ofthe 2003 comedy
View FromtheTop.

footage helps the special feel like
the herculean feat that it is.
5.
Bangin’, Nikki Glaser
There’s a sensation, when you’re
listening to a musical theme and
variations, where the first few
variations feel like eye-rolling
exercises. Okay, you’re still doing it.
There it is again. By the time you’re
on to variation six, the feeling shifts.
You become overwhelmed with the
ingenuity it takes to sustain that
kind of focus. The theme starts to
change; its contours become more
meaningful. You realize it’s an
obsession, a way of plumbing depths
of the self. This is how Glaser’s special
works, and the theme and variations
are an entire hour of sex jokes.
6.
No One Loves You,
Roy Wood Jr.
This is a special with an
argument, a point of view, and a
commitment to saying the things
Wood really cares about saying
without resorting to tired Trump
clichés or exasperated blankness
about the state of the world.
7.
Paper Tiger, Bill Burr
I thought I was going to loathe
this. A furious man yelling about
his grievances against feminism is
not my idea of well-made comedy.
But Burr builds up that character
of himself so he can undermine it,
unspooling his fears about his anger
and his sense of being increasingly
displaced in a changing world.
8.
Ice Thickeners,
Emily Heller
Heller’s comedy is full of wild,
goofy assertions of the self, the kind
of thing that’s often couched in
apologetic language, especially when
it’s about women. There’s none of that
here. The twist in so many of these
jokes is that she’s exactly who she
is, and she’s happy to be that way.
9.
My Favorite Shapes,
Julio Torres
Sometimes stand-up comedy is a
person standing on a stage telling
jokes about their life. Sometimes it’s
Torres dressed in a galactic silver
suit, seated behind a conveyor belt
that looks like it was designed by
Lisa Frank, describing the inner life
of a McDonald’s Happy Meal toy.
10.
Not Normal, Wanda Sykes
The joke that has stuck with me
from Sykes’s special is about the
experience of being a black parent in
a family with a white co-parent and
white children. She deftly juggles
perspectives, misunderstandings,
and a hilarious, multilayered
reinterpretation of the word play.
It’s one of the best pieces of comedy
writing I came across all year.

1.
LiveinCrenshaw,
LilRelHowery
LiveinCrenshawis oneofthemost
gorgeousthingsI saw thisyearinany
mediumorgenre. Thestandoutpart
is Howery’sfuneralstory,a virtuosic
sequenceinwhichheembodiesan
entireecosystemofpeopleinand
aroundhisfamilyafterhisuncle’s
death.It’sa gloriouspieceofcomedy,
butLiveinCrenshawis particularly
stunningasa recordeddocument:
Shotinsidea window-linedgym
duringthemagichour,thelighting
alonewouldputit amongthemost
beautifulcomedyspecialsevermade.
2.
Fireinthe
MaternityWard,
AnthonyJeselnik
ThethingI admire most about

Fire in the Maternity Ward is its
unblinking commitment to being
utterly unreadable. It’s a tower of
rhetorical cards that could fall at
any moment if he were to flinch and
betray some humanity underneath
the asshole character he creates.
3.
The New One,
Mike Birbiglia
This is a beautiful special about
having children, but it’s mostly
about the few moments in life
when people really do find it
within themselves to change.
4.
The Great Depresh,
Gary Gulman
n’ s ut
or
is already impressive, but the
insertion of documentary

THE TEN

BEST

COMEDY

SPECIALS OF

THE YEAR
By kathryn vanarendonk

Top Ten
Comedy
Books
By
brian boone

PHOTOGRAPHS: LARA SOLANKI/NETFLIX (GLASER); HBO (HOWERY); HBO (TORRES)

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