Creative Artist - AU (2020-02)

(Antfer) #1

GOUACHE


MaterialsList
t 1BQFS
o 'BCSJBOPHNIPU
QSFTTQBQFS
o 8IJUF4BSBM5SBOTGFS
QBQFS
o #MBDLDBSCPOQBQFS
t #SVTIFT
o /".  3FE 'JMCFSU
o NNIBLF
'SBODIFWJMMF

o )PMCFJOUXP JODI BOE
POF JODI HPBUTIBJS
IBLFT
o 8JOETPSBOE /FXUPO
4FSJFT  CSVTI
o 3PZNBD (PMEFO
4BCMF CSVTI
t )PMCFJO8BUFSDPMPVS
1BJOUT
o /FVUSBM5JOU BOE
4FQJB
t "SU 4QFDUSVN(PVBDIF
o 8IJUF
o #MBDL
o 7FSNJMMJPO
o #VSOU6NCFS
o #VSOU4JFOOB
o 1SJNSPTF:FMMPX
o .JEEMF(SFFO
o /BQMFT:FMMPX
o 4LZ #MVF

Themeticulousattentiontodetailbringsthisbrightly
colouredAustralianchaptolife,somuchsothatyou
canalmosthearhis“ditdrrit”chirping.

Step 1

Step 1

26 artist

WORKSHOP


B


efore any painting is commenced, a number of
decisions have to be made. The first for me is
the subject. I have thousands of photographs
of wildlife (mostly but not exclusively birds) and a
decision needs to be made on what species of animal,
insect, or bird will be the subject of my new painting.
The second decision will be the support base that I use
for the painting. For the purpose of this demonstration
I will be using the Fabriano 600gm hot press paper.
The thickness of the paper relieves me of the necessity
of stretching the paper, which is something that always
seems to cause me difficulty. Further decisions need to

The Red


Capped


Robin

Free download pdf