Artists & Illustrators - UK (2020-04)

(Antfer) #1

PROJECT


ABOVE Willy Lott’s
House in Suffolk,
the subject of The
Hay Wain

LEFT Rob Dudley,
Bulrushes at
Flatford, oil on
board, 25x30cm

muchadditionalinspiration,butalso
becauseConstablehimselfledthe
way.Apartfromhisinnovative
painterlytechniques,hisattitude
topaintingwasexemplary.
Nevertheless,TheHayWain
wasnotatallwellreceivedatfirst.
Althoughtocontemporaryeyesit may
appeartraditional,in 1821 it was
highlyunconventional,breakingthe
traditionsoftheOldMasters.
Constablehadstudiedthemand
learneda greatdeal,buthehadhis
ownideasaboutwhat– andhow–
hewantedtopaint.
HeadoredhisnativeSuffolk
countryside,andwantedtorepresent
it accuratelyinhispaintings.Thiswas
hisfirstdeparturefromthenorm:
figurativelandscapepaintings
portrayingdailylifewere
unfashionableatthetime.Healso
observednatureclosely,choosing


ABOVERobDudley,
Bulrushesat
Flatford(detailin
progress)
“Thebulrushon
therightwas
pointingtowards
thetreeand
provingdistracting.
Focuswasrestored
quicklywitha few
choicestrokes.”

fresh,bright,naturalgreens,
contrastingthesewithsplashes
ofbrightredtoenliventheimages


  • a radicalchoiceofpalette.
    Hisbrushworktoowasnovel;
    heusedveryloose,broadbrush
    strokes,andevenscrapedpaint
    acrossthecanvas.
    Undeterredbyhiscritics,
    herebelledagainsttradition.
    Subsequentlyhewasvindicated,
    whentheartworldrecognisedthe
    valueofhistechniquesandattitude.
    Hisextraordinarypaintingsarenow
    consideredtobeamongstthemost
    beautifullandscapes,andTheHay
    Wainoneofthenation’sfavourite
    paintings.Constablepointedtheway
    forgenerationsoflandscapepainters
    tocome.
    So,whatcanwelearnfromtackling
    hismostfamoussubject?Hereare
    ourtwotakesonit.


TAKEONE


ROB DUDLEY’S
BULRUSHES AT
FLATFORD

FINDINGTHEANGLE
DecidingwhattopaintatFlatfordMill
endedupbeinganeasydecision.
I decidedtoapproachthechallenge
inthespiritofConstableandpaint
whatinspiredme.
I triedtoputtoonesidemy
memoryofa thousandHayWain
biscuittins,jigsawsandfridge
magnets,andinsteadapproachthe
locationasI wouldanyother:

Painting any such iconic


subject can be intimidating

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