Digital Camera World - UK (2020-03)

(Antfer) #1
124 DIGITAL CAMERA^ MARCH 2020 http://www.digitalcameraworld.com

K i t Z o n e


Nikkor


AF-P DX 18-55mm


f/3.5-5.6G VR


£209/$247


Cleverly compact and retractable


Nikkor


AF-S DX 16-80mm


f/2.8-4E ED VR


£989/$1,067


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Digital Camera verdict Digital Camera verdict


4.0 Excellent 4.5 Outstanding


Features Build & Performance Value Features Performance Value
handling

Build &
handling

Great for travel and
general shooting, it’s
a good performer and
terrific value. Fringing
and distortion can
be easily corrected.
Nikon’s 16-80mm
lens costs a lot more.

For performance
and versatility, this
is the best DX-format
standard zoom on the
market for Nikon SLRs.
It beats alternatives
from independent
manufacturers.

vailable as a kit lens with or
without VR, the stabilised
version is definitely the
one to go for. Both have a
retractable design that enables a small
carrying size. Unlike the previous AF-S
editions, the AF-P models use a quiet
stepping motor to drive autofocus,
like the competing Canon 18-55mm.
Unlike in previous designs, the
focus ring remains stationary
during autofocusing. However, neither
autofocus nor manual focusing works
with older Nikon SLRs. There’s also
no VR on/off switch: you can only
switch it off via the camera menu.

Performance
Nikon’s smallest kit zoom for SLRs
boasts fast autofocus speed as well as
four-stop VR. Outright image quality is
very good in most respects, although
colour fringing and barrel distortion
are quite severe at the short end
of the zoom range.

ew meets old in this lens:
it combines an effective
yet conventional ring-type
ultrasonic autofocus
system with a new-generation,
electromagnetically controlled
diaphragm. This helps to maintain
consistently accurate exposures
in rapid continuous drive mode.
The zoom range is an ‘effective’
24-120mm, which works out the same
in practical terms as Nikon’s full-frame
kit lens for the D750. However, while
that one has a constant-aperture rating
of f/4, the DX lens is up to a full f/stop
faster at short zoom settings. Like
current kit lenses for DX-format SLRs,
it has a seven-blade diaphragm
and a four-stop stabiliser.

Performance
Sharpness is exceptional at all but the
longest zoom setting. However, lateral
chromatic aberration can be visible
when uncorrected at the short end.

AN


Sharpness
There’s a relative lack of
sharpness when shooting
wide-open at 18mm.

Sharpness
The lens is super-sharp
at most zoom settings but
drops off at the long end.

Fringing
Short 4.66 Long 1.06
Uncorrected fringing is only
apparent at the short end.

Fringing
Short 3.29 Long 1.78
There’s noticeable fringing at
16mm, but it mostly dies away.

Distortion
Short -4.01 Long 0.27
There’s very little distortion
at mid to long zoom settings.

Distortion
Short -4.59 Long 2.26
Short-zoom barrel distortion
can be very noticeable.

0

500

1,000

1,500

2,000

2,500

3,000

f/3,5 f/4 f/5.6 f/8 f/11 f/16 f/22
18mm 35mm
45mm 55mm

f/3.5 f/4 f/5.6 f/8 f/11 f/16 f/22

0

500

1,000

1,500

2,000

2,500

3,000

f/2.8 f/4 f/5.6 f/8 f/11 f/16 f/22
16mm 24mm
50mm 80mm

5.0 4.5 5.0

Group Test ³ɎƏȇƳƏȸƳɿȒȒȅɀ


4.0 4.0 4.0 4.0 3.5
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