14 Artists Magazine May 2019
Prime THE ASK
If you could’ve witnessed
the creation of one
artwork, what would it be?
WE ASKED ...
“I would love to have stood
beside Vincent as he
paintedThe Starry Night.”
—CONNIE ROBBINS BRADY
“One of Matisse’s large-
scale collages would’ve
been fun to assist in.”
—BIANCA VAN DER HOEK
“Any ballerina painting by
Edgar Degas.”
—ERIC DUNCAN
“Picasso’sGuernica.He
must have raged and wept,
slashed in anger and
splashed in frustration,
experienced helplessness
and cried out in anguish.”
—WALTER BAKKER
“Untitled[1982] by Jean-
Michel Basquiat.”
—ERICK SÁNCHEZ GIL
“Girl With A Pearl Earring
[by Johannes Vermeer].”
—GAYLAND CRUTCHFIELD
“The Arnolfini Portrait[by
Jan van Eyck].”
—VICTORIA OHAN
“Michelangelo carving the
Pietá.”
—CHERYL KEGGAN
WE ASKED...
YOU ANSWERED
PONTORMO’S
THE VISITATION
: PHOTOGRAPHY BY ANTONIO QUATTRONE. J.M.W. TURNER’S
RAIN, STEAM AND SPEED. THE GREAT WESTERN RAILWAY
: PHOTO BY PHOTO 12/UIG VIA GETTY IMAGES.
Rain, Steam, and Speed—The Great Western Railway
by J.M.W. Turner, (English, 1775–1851)
1844; oil on canvas, 26x33¼
“I’d have loved to
be present when
Pontormo drew and
painted The Visitation,
recently exhibited for
the fi rst time in the
U.S. at the Morgan
Library Museum.
It’s an extraordinary
painting to view
and copy.”
WENDY SHALEN
ARTIST AND
INSTRUCTOR,
THE ART STUDENTS
LEAGUE OF NEW YORK
The Visitation
by Jacopo Pontormo, (Italian, 1494–1557)
0il on wood, 79½ x61½
San Michele, Carmignano (Florence)
“J.M.W. Turner’s
Rain, Steam, and
Speed, in the
National Gallery,
London.”
CHERYL K. SNAY
CURATOR OF
EUROPEAN ART,
SNITE MUSEUM OF
ART, UNIVERSITY OF
NOTRE DAME