Rolling Stone - USA (2020-02)

(Antfer) #1

February 2020 | Rolling Stone | 27


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An Album That Can Do Both
Can an album pull in more than 2 billion
streams and also be the top-selling vinyl
album of the year? Billie Eilish’s debut
LP, When We All Fall Asleep, Where Do
We Go?, proved to be the album that
can do both, and also disproved anyone
who thought Gen Z doesn’t buy music.
When We All Fall Asleep, Where Do We
Go? sold almost 12,000 more copies
than any other album.

A Blockbuster Soundtrack
If the 2010s had an equivalent to the
Forrest Gump soundtrack, it would be
the soundtrack to Marvel’s superhero
blockbuster Guardians of the Galaxy. It’s
a commercial juggernaut, and one that’s
made for the turntable, with classics like
“Ain’t No Mountain High Enough,” David
Bowie’s “Moonage Daydream,” and the
Jackson 5’s “I Want You Back.” Fifty-
seven percent of the album’s physical
sales last year were vinyl sales.

Vinyl Sales Up to


Over 10 Million


MANY INDUSTRY EXPERTS feared that the
growth of digital music — first downloads, then
streaming — would send record collections the way of
the eight-track and the VHS tape, quashing any notion
of music being something that people actually owned.
But throughout the 2010s, the numbers showed that
listeners are still extremely interested in buying actual
physical albums — that is, if those albums are 10 or 12
inches wide.
Vinyl sales soared throughout the decade, and that
trend continued in 2019. Vinyl sales in the U.S. increased
10.5 percent, to 10.7 million, with LPs accounting for 19.2
percent of all physical album sales, according to Alpha

dence that their comeback coincided with the Polaroid
camera’s. But there are signs that it isn’t all nostalgia: In
2019, Billie Eilish, Taylor Swift, and Harry Styles released
albums that were massively successful on vinyl. Younger
fans want something to hold onto as well.

Data. Since 2014 alone, vinyl album sales in the U.S. have
grown 175 percent.
There’s certainly a nostalgia factor at play, with legacy
acts like the Beatles and Pink Floyd consistently having
the top LPs of each year. And it probably isn’t a coinci-

WHILE THE GREATEST-HITS ALBUM may be on its way out — who needs it
when you can make your own greatest-hits playlist on Spotify? — reissues
are still very much alive. In 2019, labels continued to repackage and remaster old
material and dig into the vault for unreleased tracks, in an effort to bring a second
life to decades-old albums. Abbey Road’s 50th-anniversary reissue featured 23 out-
takes and demos; Prince’s 1999 had “Purple Music,” an 11-minute fan favorite that had
existed in bootleg form for 37 years but never got a proper release. Both hit the RS
200 upon rerelease, with Abbey Road at Number Three and 1999 at Number 31. And
as this graph shows, they also caused a spike in popularity for each classic album.

CASSETTE
SALES
16%

VINYL
SALES
57%

123K
CD
SALES
27%

79.6K


69.9K


66.7K


3


2


1


4


5


Queen
Bohemian
Rhapsody
Hollywood

The Beatles
Abbey Road
Capitol

Billie Eilish
When We All
Fall Asleep...
Interscope

Various Artists
Guardians of
the Galaxy, Vol. 1
Hollywood

Taylor Swift
Lover
Republic

101K


112.8K


This list measures vinyl sales in the U.S. from January 1st through December 31st, 2019, as recorded by Alpha
Data. For the full list of the top albums of 2019, visit RollingStone.com/charts/albums/year-end.

Top Vinyl Albums


SALES

1/18

800K

600K

400K

200K

0
12/18 1/20

Weekly Vinyl Sales in the U.S. Over Time

4/21/18
Record Store
Day 211K

12/14/18
529K

4/13/19
Record Store
Day 250K

12/13/19
644K

6/18 6/19

700K

500K

300K

100K

The Reissue Boost


1/19 1/20

35K
30K
25K
20K
15K
10K
5K
0

Prince Abbey Road 11/29/19
Reissue
9/27/19 released 12K
Reissue
released 33K

4/19 8/19 11/19

Weekly Vinyl Sales in the U.S. in 2019
Free download pdf