Flirt Magazine March

(Flirt Magazine) #1

  1. What’s the biggest lesson you’ve learned so far in
    concert photography?
    Being able to capture a moment of pure passion and
    the essence of the artist / band is what I have come to
    learn is what the audience looks for when they see the
    photos. Being able to get the shots that makes fans that
    never even got to see the shows get the whole vibe of
    the experience. Those are the photos that communi-
    cate the story, the journey, the moment in time.


8 What advice do you have for photographers looking
to follow in your footsteps?
I see a lot of up and coming photographers asking how
to shoot the “big bands” – like everything else in life,
you have take it step by step. Go to the local clubs, go
to your friends shows, as many as possible, try out the
gear, see what works for you, ask local venues if they
need a house photographer, or local publications if
they are looking for a live photographer to cover local
shows – you get your start there and build on it. Be
willing to put in the time, the energy, the effort. Try
to expand and challenge yourself – make connections,
always network, never be too proud to self-promote –
after all, it is your life, your passion, and your mission
to get the world to see your work.


9 What is the one photo you’re most proud of creat-
ing?
That changes over time. Currently, it’s DEE SNIDER
(TWISTED SISTER) – B&W Flying Hair – This was
shot at Twisted Sisters last tri-state area show in New
Jersey – Rock Carnival 2016. I love it and I am proud
of it for many reasons. Dee is super high energy,
moves VERY fast, and it can be a challenge to nail a
shot. I love the way his hair is flying through the air
that creates movement even though he seems still at
the same time. It was an awesome split second and
I’m happy I had my finger on the trigger of my canon
to capture it.
10 How do you position yourself in a concert? Do you
care about blocking the view? Do you get close and
personal with the band during a live performance?
There are rules at concerts to ensure that the fans views
aren’t blocked for the whole show experience.. That
is why when up front in the pit, most bands allow 2-3
songs, then we shoot from anywhere else in the venue.
I move a lot, so as much as it’s impossible to not block
the view of fans in the front, it’s not for a long period of
time to where it will affect the fans experience.

Images by Dalila Hreheli 45

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